Writer/director Josh Grannell, aka horror hostess Peaches Christ, has created a comedic bloodfest artfully designed to become a camp classic. Grannell pays overt homage to some of his favorite filmmakers, notably John Waters and gore auteur Herschell Gordon Lewis of "Blood Feast" fame, and gifts us with an enthusiastic romp to the dark side of film-making.
Natasha Lyonne, as librarian-turned-lunatic Deborah Tennis, channels various Hollywood grand dames to wild-eyed comedic effect; imagine if Bette Davis chewed scenery in one of Roger Corman's legendary Poe adaptations. Thomas Dekker of "Terminator: The Sarah Connor Chronicles" plays the star-struck film fan to boyish perfection. And satisfying cameos from the likes of Waters alumnus Mink Stole and fellow horror hostess Cassandra Peterson (aka Elvira) round out a great cast. You're also treated to the best evil twins since "The Shining" played by Jade and Nikita Ramsey. And wildly entertaining turns from Noah Segan as dentally-challenged psycho Adrian, and Jack Donner (who's been in everything from "Buffy" to "Star Trek") as the crusty and overzealously murderous projectionist Mr. Twigs, round out Grannell's fantasy cast.
What's often most important to get from a film like this is the sense that cast and crew are enjoying themselves, and the fun shines through in every scene. Part of its delivered joy comes in spotting its numerous in-jokes, which touch on such diverse topics as horror film history or the local San Francisco drag scene. But an insider's knowledge of trivia isn't at all needed to appreciate the over-the-top and violently funny romp that Grannell delivers; instead, bring your love of exploitation and an enthusiasm for camp. Worth the price of admission alone are the parody film titles created by Tennis in the course of her filmicidal spree. And the movie has one of the best opening title sequences I've seen in years.
Much of the film was shot inside San Francisco's historic Victoria Theatre, a former vaudeville hall in the city's Mission district. Using such an authentic location is all part of Grannell's desire to create a red-inked love poem to the uniquely thrilling experience of watching horror films in a packed movie house.
Hopefully you'll get a chance to see "All About Evil" with its touring live stage show, featuring Peaches and her fright-inducing friends in person. It's a one-of-a-kind, in-your-face experience that's not like anything else you'll see in your local theater -- unless you've been going to Peaches' "Midnight Madness" shows in SF for the last 12 years.
Don't miss it -- hopefully coming to a theater near you!
Natasha Lyonne, as librarian-turned-lunatic Deborah Tennis, channels various Hollywood grand dames to wild-eyed comedic effect; imagine if Bette Davis chewed scenery in one of Roger Corman's legendary Poe adaptations. Thomas Dekker of "Terminator: The Sarah Connor Chronicles" plays the star-struck film fan to boyish perfection. And satisfying cameos from the likes of Waters alumnus Mink Stole and fellow horror hostess Cassandra Peterson (aka Elvira) round out a great cast. You're also treated to the best evil twins since "The Shining" played by Jade and Nikita Ramsey. And wildly entertaining turns from Noah Segan as dentally-challenged psycho Adrian, and Jack Donner (who's been in everything from "Buffy" to "Star Trek") as the crusty and overzealously murderous projectionist Mr. Twigs, round out Grannell's fantasy cast.
What's often most important to get from a film like this is the sense that cast and crew are enjoying themselves, and the fun shines through in every scene. Part of its delivered joy comes in spotting its numerous in-jokes, which touch on such diverse topics as horror film history or the local San Francisco drag scene. But an insider's knowledge of trivia isn't at all needed to appreciate the over-the-top and violently funny romp that Grannell delivers; instead, bring your love of exploitation and an enthusiasm for camp. Worth the price of admission alone are the parody film titles created by Tennis in the course of her filmicidal spree. And the movie has one of the best opening title sequences I've seen in years.
Much of the film was shot inside San Francisco's historic Victoria Theatre, a former vaudeville hall in the city's Mission district. Using such an authentic location is all part of Grannell's desire to create a red-inked love poem to the uniquely thrilling experience of watching horror films in a packed movie house.
Hopefully you'll get a chance to see "All About Evil" with its touring live stage show, featuring Peaches and her fright-inducing friends in person. It's a one-of-a-kind, in-your-face experience that's not like anything else you'll see in your local theater -- unless you've been going to Peaches' "Midnight Madness" shows in SF for the last 12 years.
Don't miss it -- hopefully coming to a theater near you!