Edgar Wright has been very quiet since hitting the headlines 3 years ago for the outstanding British hit Hot Fuzz and in that time he has managed to conjure one of the most original and exciting comic book adaptations ever.
Considering the recent successes of The Dark Knight, Iron man and Spider-mans amongst others that is rather bold but somehow the director and writer has taken a simple love story and made it thoroughly entertaining, humorous, diverse and tantalizing it is quite necessary to see Michael Cera stars as Scott Pilgrim who falls for Mary Winstead's Ramona Flowers, a frivolous newcomer whom he would like to date. Only he has to defeat her seven evil exes to do so.
What ensues is some of the finest action comedy romantically enhanced comic battles ever to be shown on the big screen. That is to say there are many flashing battle stances with "vs" being screened centrally and split screen shots, as if watching a comic book literally come to life.
We are soon in the groove when the Universal logo pops up and then we zoom straight in to the battle of the bands, the life of a love struck teenager and his affection's terrible past. There is a lot going on which boasts the excitement and intrigue to maximum velocity and before you know it the film has ended and you will immediately want more.
The music is a worthy mention as all the way through there are many knockout hits (no pun intended) and one in particular that stands out.
The Clash at Demonhead's rendition of Metric's Black sheep is a fantastic moment for plot and sound and encapsulates the moment significantly.
Regarding the fights there are some great cuts of direction by Wright, brining the action to life. The flying words are terrific and often bizarre. There are moments when you wonder what is going on, particularly the vegan police and the dancing skeletons but regardless the context of the moment is always spot on.
A few minor hiccups include the viewer's emotions when the film draws to a close and the situation fixating on the final evil ex boyfriend.
These are immaterial considering what we have been treated to by surely the best director to come out of Britain since Guy Ritchie.
Considering the recent successes of The Dark Knight, Iron man and Spider-mans amongst others that is rather bold but somehow the director and writer has taken a simple love story and made it thoroughly entertaining, humorous, diverse and tantalizing it is quite necessary to see Michael Cera stars as Scott Pilgrim who falls for Mary Winstead's Ramona Flowers, a frivolous newcomer whom he would like to date. Only he has to defeat her seven evil exes to do so.
What ensues is some of the finest action comedy romantically enhanced comic battles ever to be shown on the big screen. That is to say there are many flashing battle stances with "vs" being screened centrally and split screen shots, as if watching a comic book literally come to life.
We are soon in the groove when the Universal logo pops up and then we zoom straight in to the battle of the bands, the life of a love struck teenager and his affection's terrible past. There is a lot going on which boasts the excitement and intrigue to maximum velocity and before you know it the film has ended and you will immediately want more.
The music is a worthy mention as all the way through there are many knockout hits (no pun intended) and one in particular that stands out.
The Clash at Demonhead's rendition of Metric's Black sheep is a fantastic moment for plot and sound and encapsulates the moment significantly.
Regarding the fights there are some great cuts of direction by Wright, brining the action to life. The flying words are terrific and often bizarre. There are moments when you wonder what is going on, particularly the vegan police and the dancing skeletons but regardless the context of the moment is always spot on.
A few minor hiccups include the viewer's emotions when the film draws to a close and the situation fixating on the final evil ex boyfriend.
These are immaterial considering what we have been treated to by surely the best director to come out of Britain since Guy Ritchie.