This has remained my favorite documentary, and one of my favorite movies, since I first saw a screener of it about two years ago. I'm so glad that it's finally reaching a wider audience now.
When I was writing "The New Horror Handbook," I not only wanted to cover some of the landmark horror movies of the 21st century, but also to include a section on the effect the genre has had on up-and-coming filmmakers. When I came across then-14-year-old Emily Hagins and her zombie movie "Pathogen," and the documentary about its making, "Zombie Girl: The Movie," I had to include a chapter on both.
"Zombie Girl" does something I've never seen accomplished before -- faithfully and lovingly document the joys and aggravations of the creative process.
Sure, there are plenty of "making of" featurettes, some better than others. But this movie has two advantages. The primary one is Emily Hagins herself. This is a young girl brimming with creativity and drive, yet with enough maturity and support from her family to see her vision through to completion. Second, a refreshing lack of the manufactured drama that reality TV has made us all accustomed to. Finally, after watching this movie, chances are good that you will want to make your own movie, or write a novel, or paint a masterpiece -- whatever long-held creative passions you've carried with you suddenly won't seem so out of reach. I can't think of a greater accomplishment for a film.
When I was writing "The New Horror Handbook," I not only wanted to cover some of the landmark horror movies of the 21st century, but also to include a section on the effect the genre has had on up-and-coming filmmakers. When I came across then-14-year-old Emily Hagins and her zombie movie "Pathogen," and the documentary about its making, "Zombie Girl: The Movie," I had to include a chapter on both.
"Zombie Girl" does something I've never seen accomplished before -- faithfully and lovingly document the joys and aggravations of the creative process.
Sure, there are plenty of "making of" featurettes, some better than others. But this movie has two advantages. The primary one is Emily Hagins herself. This is a young girl brimming with creativity and drive, yet with enough maturity and support from her family to see her vision through to completion. Second, a refreshing lack of the manufactured drama that reality TV has made us all accustomed to. Finally, after watching this movie, chances are good that you will want to make your own movie, or write a novel, or paint a masterpiece -- whatever long-held creative passions you've carried with you suddenly won't seem so out of reach. I can't think of a greater accomplishment for a film.