At 46 minutes, it is hard to consider this a feature film, but apparently the distributors did and it launched Lloyd's career as a feature film star. It was released ten months after Chaplin released "The Kid," his first feature. However, both of these films were seven years after Marie Dressler, Charlie Chaplin and Mabel Normand's "Tillie's Punctured Romance," which was the first comedy feature, albeit not a very good one.
The movie is in three parts with millionaire Harold lazily announcing he is going to marry Mildred Davis in the first part. Her father demands he get a job and so he joins the Navy. The second part takes place at sea with Harold becoming friends with tough sailor Noah Young. The third part takes place in an Arabian Nights like far Eastern land, where Mildred is vacationing and Harold's ship coincidentally lands.
The first two parts are competent and amusing, but nothing special. It is the last part, where the film leaves reality that the film starts to really surprise and glow, as it foreshadows Douglas Fairbanks "Thief of Bagdad" (1924).
Everything here is well done. It is only in comparison to some of Lloyd's more brilliant sequences that the film suffers. Noah Young is excellent as the Navy tough guy who becomes Lloyd's loyal sidekick.
This film is more for Lloyd and silent film fans. As noted by another reviewer, it doesn't have the brilliant sequences that would make newbies embrace Lloyd as a genius or fall in love with silent film art.
The movie is in three parts with millionaire Harold lazily announcing he is going to marry Mildred Davis in the first part. Her father demands he get a job and so he joins the Navy. The second part takes place at sea with Harold becoming friends with tough sailor Noah Young. The third part takes place in an Arabian Nights like far Eastern land, where Mildred is vacationing and Harold's ship coincidentally lands.
The first two parts are competent and amusing, but nothing special. It is the last part, where the film leaves reality that the film starts to really surprise and glow, as it foreshadows Douglas Fairbanks "Thief of Bagdad" (1924).
Everything here is well done. It is only in comparison to some of Lloyd's more brilliant sequences that the film suffers. Noah Young is excellent as the Navy tough guy who becomes Lloyd's loyal sidekick.
This film is more for Lloyd and silent film fans. As noted by another reviewer, it doesn't have the brilliant sequences that would make newbies embrace Lloyd as a genius or fall in love with silent film art.