"Camelot" is literally a feast for the eyes, complete with multi-layers of cosmopolitan benefactions. There is also the absolutely breathtaking countryside cinematography, as well as an occasional glimpse of a dalliance unveiled, exposed, and vulnerable in more than one sense and all in context, of course. Moreover, as far as action, drama, plot structure and pacing is concerned, "Camelot" certainly works. I was interested, drawn in and found it very hard to leave my position on the couch for any reason, until it was over.
With his shaved head, expressive eyes and mercurial intensity, Joseph Fiennes is arguably the finest Merlin I have witnessed in my #$ years on this earth. The persona seems to possess him, or, possibly he has possessed it. Eva Green, as Morgan is simply begirded in the essence and romanticism of that which currently attracts young people to the Goth lifestyle. She is beautiful and mesmerizing in her character. I am a fan of James Purefoy, and as usual, this man can be anybody he wishes. He is a bad boy and carries it very well in "Camelot." Claire Forlani is exquisite and gives us Queen Igraine with a surprising core strength, rather than the pretty little one who must merely be saved. Jamie Campbell Bower, as Arthur, and Peter Mooney, as Kay, are delightful as two young cubs at play who must grow into great men of responsibility.
Between the two creators, Michael Hirst and Chris Chibnall, "Elizabeth", "Tudor", "Spooks", and/or "Torchwood" is firmly tucked under one or the other's belt. I find this impressive! I so look forward to watching the rest of this season knowing their combined genius will guide my viewing experience.
All things considered: the huge body of talent and accomplishment involved, this program being "Camelot" - the story of all stories - now being done on a quality series, along with the fact that we can easily access it on a couple of venues, I find myself looking forward to one, of a very few, exciting shows on the tele this year. Believe me, it's definitely worth your precious time to watch!
With his shaved head, expressive eyes and mercurial intensity, Joseph Fiennes is arguably the finest Merlin I have witnessed in my #$ years on this earth. The persona seems to possess him, or, possibly he has possessed it. Eva Green, as Morgan is simply begirded in the essence and romanticism of that which currently attracts young people to the Goth lifestyle. She is beautiful and mesmerizing in her character. I am a fan of James Purefoy, and as usual, this man can be anybody he wishes. He is a bad boy and carries it very well in "Camelot." Claire Forlani is exquisite and gives us Queen Igraine with a surprising core strength, rather than the pretty little one who must merely be saved. Jamie Campbell Bower, as Arthur, and Peter Mooney, as Kay, are delightful as two young cubs at play who must grow into great men of responsibility.
Between the two creators, Michael Hirst and Chris Chibnall, "Elizabeth", "Tudor", "Spooks", and/or "Torchwood" is firmly tucked under one or the other's belt. I find this impressive! I so look forward to watching the rest of this season knowing their combined genius will guide my viewing experience.
All things considered: the huge body of talent and accomplishment involved, this program being "Camelot" - the story of all stories - now being done on a quality series, along with the fact that we can easily access it on a couple of venues, I find myself looking forward to one, of a very few, exciting shows on the tele this year. Believe me, it's definitely worth your precious time to watch!