The title, Jaffa, gives us only a location. In the suburbs of Tel-Aviv, Jaffa is a place of biblical mention, there are some saying it is derived from the name Japheth, son of Noah. It currently has a mixed population, more than a third are Israeli Arabs.
Keren Yedaya gifts us again a remarkable experience, presenting a difficult moral story from a neutral point of view, unbiased and yet strongly moving. The script is by Yedaya and Ben Porat, the cast is -as most Israeli movies-impeccable. Dana Ivgy, Ronit Elkabetz (an amazing bandwidth actress, "Late Marriage"2001 "The Band's visit"-2007), Ro'i Asaf, Mahmoud Shalaby give solidly credible performances. Whichever side of the story you may be, either the touching romance against all odds or the practical considerations of secular enmity, at the end you will reflect at length, and be enriched by this film.
With precise timing and increasing emotional leverage, Yedaya mounts a gradual increase in tension, a catastrophe and then gives us more: the wonderful struggle within the future mother. Mali (Dana Ivgy) is caught between her family, her religion and her other family, the one she dreamed of creating... but she must tell her parents about the child's father.
Scenes of great emotional intensity are shot in vignettes brimming with concealed pain... At the end of the film, the debate is far from close, but the hope, the child of both Israeli and Arab is something we have in front of us, unmistakenly. Great music by Shushan runs plangently through the end credits, rightly nominated to a Camera d'Or at Cannes film festival.
Read my other reviews at: https://sites.google.com/site/dan4gabriel/home
Keren Yedaya gifts us again a remarkable experience, presenting a difficult moral story from a neutral point of view, unbiased and yet strongly moving. The script is by Yedaya and Ben Porat, the cast is -as most Israeli movies-impeccable. Dana Ivgy, Ronit Elkabetz (an amazing bandwidth actress, "Late Marriage"2001 "The Band's visit"-2007), Ro'i Asaf, Mahmoud Shalaby give solidly credible performances. Whichever side of the story you may be, either the touching romance against all odds or the practical considerations of secular enmity, at the end you will reflect at length, and be enriched by this film.
With precise timing and increasing emotional leverage, Yedaya mounts a gradual increase in tension, a catastrophe and then gives us more: the wonderful struggle within the future mother. Mali (Dana Ivgy) is caught between her family, her religion and her other family, the one she dreamed of creating... but she must tell her parents about the child's father.
Scenes of great emotional intensity are shot in vignettes brimming with concealed pain... At the end of the film, the debate is far from close, but the hope, the child of both Israeli and Arab is something we have in front of us, unmistakenly. Great music by Shushan runs plangently through the end credits, rightly nominated to a Camera d'Or at Cannes film festival.
Read my other reviews at: https://sites.google.com/site/dan4gabriel/home