6/10
Is it really that bad? I don't think so.
30 May 2011
Warning: Spoilers
The Giant Claw is one of the most critically maligned sci-fi movies of the 1950s. Granted, it is no classic, but all the same this reviewer considers it a perfectly acceptable example of b-movie fun. The biggest target for critical arrows is the movie's monster--a giant bird from an anti-matter galaxy that turns the Earth into its aerie and hunting ground. It's hard to defend the appearance of the puppet that is our monster, as it certainly is rather silly and even by the standards of 50s effects, not very scary. I can't help but wonder how critical and popular reaction might have differed when the predator first appeared on-screen if it had been, say, a dragon, or even just a better-realized bird. Screenwriters Samuel Newman and Paul Gangelin actually put together a competent script that demonstrates some creative thought. The rationale for the monster's appearance is actually fairly reasonable, and it's neat that the reason for the monster's invulnerability to our most powerful weapons is due to an anti-matter force field as opposed to an impossible degree of physical toughness. Moreover, the relationship between our leads--played by stalwart Jeff Morrow and the vivacious Mara Corday--is developed with greater realism than the usual stock romance typical of many genre films. Some viewers criticize what they perceive to be an abrupt shift in the relationship of the main characters as they go from being near-adversaries to lovers, but if you pay attention it's obvious the verbal sparring between the two early on is of the flirtatious variety, and quite expertly written and acted as well. The cast is good overall, and Morrow and Corday are both quite likable as our heroes. Any perceived flaws in the visual effects are surely compensated for by the striking presence of Ms. Corday, whose physical charms are better than any technical effects could ever hope to be. The action scenes are handled well enough by director Fred Sears, and are comparable to those seen in many other period films. Overall, The Giant Claw is a competently made and genuinely entertaining film. The lackluster monster effects are admittedly poor, but once you get past that the rest of the film has a lot going for it. I think that fans of 50s sci-fi who can overlook the film's reputation may find that despite it all, The Giant Claw isn't all bad.
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