5/10
Promising but eventually unfulfilling.
1 August 2011
Warning: Spoilers
This is a film with much promise but unfortunately does not quite live up to its excellent premise. Directed by Keiichi Sugiyama, Origin is his first feature film. The story revolves around young Agito a local to the post-apocalyptic town where the film is set and a girl, Toola, who is awoken from a cryo pod. Toola is seduced by a fellow survivor and is sent on a mission to try make things the way they were, Agito meanwhile tries to convince Toola that his way of life is a good one, and stops the plan.

There are two very promising elements in this film, the first is the showing of 'smart phone/tab' style technology which has become so integral to those from the pasts day-to-day life, the device is shown to activate all manner of objects, used as a map, and a phone. The real world relevance is obvious and with society moving in a direction whereby our smart phones and tabs are used so frequently and for such a wide variety of things that there future vision of similar devices doesn't seem far-fetched. What is even more interesting is that the device is not the cause of the disaster which ended civilization, where most science-fiction is quick to blame humanities increasing obsession with this form of technology this film leaves those concerns out, which is very refreshing. The second and most interesting element is the cause for the end of civilization, an accident when terraforming the moon. Terraforming has long been a staple of science-fiction, but in this film the terraforming backfires, destroying the moon in one of the most beautifully animated sequences, and launching intelligent plant life at the earth. It is very refreshing to see the staple of the genre backfire, unfortunately this aspect is not explored strongly enough.

Origin for all its promise just doesn't reach its potential, heavily mining from Hayao Miyazaki's 1984 classic, Naussica, to the point of near plagiarism. At least Sugiyama borrowed from the best. The characters are also problematic, with each of them very one-dimensional in nature. The closing scene is also ridiculous, unfortunately the use of a walking volcano, that is a previously rooted volcano sprouting metal legs and moving toward the town, was ill advised and perhaps ruined a perfectly good film.

Overall the film deserves credit for trying to deal with a very interesting subject, and its animation is stunning, the score is beautiful and works exceptionally well with the style of animation, unfortunately poor character development and the aforementioned volcano incident take a good film and make it an average one.
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