Craig and Elise Landry (Jesse Metcalfe and Erika Christensen) have their world torn apart when John Kozlowski (Bill Moseley), a drooling psychopath with deep-seated parent issues and an unrivalled collection of disturbing curios in his basement, abducts and murders their six year old son. When the killer is caught and brought to trial, but only receives a 25 year jail sentence for his heinous crime, the distraught couple decide to take the law into their own hands and exact a far more fitting punishment.
The Tortured is, as the title suggests, yet another in the recent wave of horror films that have (un)popularly been dubbed 'torture porn'; however, rather than try to make the viewer turn away in disgust at gory atrocities inflicted upon innocent victims, as is usually the case with this sub-genre, the intention here is to appeal to the audience's most primal emotions, fulfilling a basic desire for sweet justice by depicting a twisted piece of human garbage on the receiving end of some serious pain and humiliation for a change.
This twist on an already well-worn theme might have worked if it wasn't for an unnecessary and totally unbelievable twist at the end which robs the viewer of any real satisfaction. Add the fact that the violence perpetrated is far from stomach churning (the gore is most unimpressive with the yuckiest scene turning out to be a dream) and the plot requires major suspension of disbelief (for example, one is expected to believe that, after a van has somersaulted off a bridge, sailed through the air, and crashed face-down onto some jagged rocks, those inside have all miraculously survived death), and what you have is a bland and instantly forgettable effort, another nail in the coffin for a horror trend that should have been buried long ago.
The Tortured is, as the title suggests, yet another in the recent wave of horror films that have (un)popularly been dubbed 'torture porn'; however, rather than try to make the viewer turn away in disgust at gory atrocities inflicted upon innocent victims, as is usually the case with this sub-genre, the intention here is to appeal to the audience's most primal emotions, fulfilling a basic desire for sweet justice by depicting a twisted piece of human garbage on the receiving end of some serious pain and humiliation for a change.
This twist on an already well-worn theme might have worked if it wasn't for an unnecessary and totally unbelievable twist at the end which robs the viewer of any real satisfaction. Add the fact that the violence perpetrated is far from stomach churning (the gore is most unimpressive with the yuckiest scene turning out to be a dream) and the plot requires major suspension of disbelief (for example, one is expected to believe that, after a van has somersaulted off a bridge, sailed through the air, and crashed face-down onto some jagged rocks, those inside have all miraculously survived death), and what you have is a bland and instantly forgettable effort, another nail in the coffin for a horror trend that should have been buried long ago.