This modern remake of a cultish classic is at least as palatable as the original. The updates work well for this kind of film, which is, admittedly, a semi-musical. So I was pleasantly surprised that it was worth the price of admission, with some change back to boot.
To make it enjoyable the film at least had to do the music and dancing well, which it did. The two young stars, Julianne Hough as Ariel Moore (a preacher's daughter) and an unknown for me; Kenny Wormald as Ren MacCormack, did deliver on the dance floor. Both of them are superb dancers and Hough, especially, looked great in the saloon, line dancing scene. I think part of the reason she's amazing to watch is because she looks like she's having the time of her life.
But music and dancing can't be the whole movie, we hope, so there has to be dabs of acting to weld the disparate pieces together. The sparks to accomplish the welds are some fine moments by all the supporting actors. It leads off with Dennis Quaid, playing Hough's ministerial father. He's turned into an excellent actor over the years and is believable in the role. There is also Ray McKinnon as Wormald's uncle. He's an asset to the film, one of the best actors on screen that night. Miles Teller as Willard, Wormald's side-kick was surprisingly good, an engaging personality that gave some comedic relief to the rest of the proceedings. The rest of the supporting cast were assets as well; Andie MacDowell as Hough's mother. Then there was Patrick John Flueger as Chuck Cranston, the resident bad guy along with the town meanie played by Brett Rice as Roger Dunbar. Also, worth note was Ziah Colon as Rusty; Hough's friend.
But the real acting surprise, and treat, was Ms. Hough. She was not only believable in just the right degree at the serious, crucial, points but solid throughout. The character she played called for a fair range of emotions and it was a genuine pleasure to watch her deliver every time. Even in the films early scenes, she looked radiant sans makeup. I appreciated the addition of those glimpses of her natural state, because as a trained artist I saw them as a great study in the structure of a classic beauty. I think she's the rare girl who looks just as beautiful without the makeup. And on top of that she can act. In this instance, she clearly outshines the female lead in the original. Hough's stunning looks are soon overshadowed in the film by the sheer talent she so effortlessly gives the audience.
By Bruce L. Jones http://webpages.charter.net/bruce.jones1/
To make it enjoyable the film at least had to do the music and dancing well, which it did. The two young stars, Julianne Hough as Ariel Moore (a preacher's daughter) and an unknown for me; Kenny Wormald as Ren MacCormack, did deliver on the dance floor. Both of them are superb dancers and Hough, especially, looked great in the saloon, line dancing scene. I think part of the reason she's amazing to watch is because she looks like she's having the time of her life.
But music and dancing can't be the whole movie, we hope, so there has to be dabs of acting to weld the disparate pieces together. The sparks to accomplish the welds are some fine moments by all the supporting actors. It leads off with Dennis Quaid, playing Hough's ministerial father. He's turned into an excellent actor over the years and is believable in the role. There is also Ray McKinnon as Wormald's uncle. He's an asset to the film, one of the best actors on screen that night. Miles Teller as Willard, Wormald's side-kick was surprisingly good, an engaging personality that gave some comedic relief to the rest of the proceedings. The rest of the supporting cast were assets as well; Andie MacDowell as Hough's mother. Then there was Patrick John Flueger as Chuck Cranston, the resident bad guy along with the town meanie played by Brett Rice as Roger Dunbar. Also, worth note was Ziah Colon as Rusty; Hough's friend.
But the real acting surprise, and treat, was Ms. Hough. She was not only believable in just the right degree at the serious, crucial, points but solid throughout. The character she played called for a fair range of emotions and it was a genuine pleasure to watch her deliver every time. Even in the films early scenes, she looked radiant sans makeup. I appreciated the addition of those glimpses of her natural state, because as a trained artist I saw them as a great study in the structure of a classic beauty. I think she's the rare girl who looks just as beautiful without the makeup. And on top of that she can act. In this instance, she clearly outshines the female lead in the original. Hough's stunning looks are soon overshadowed in the film by the sheer talent she so effortlessly gives the audience.
By Bruce L. Jones http://webpages.charter.net/bruce.jones1/