IF WE WERE to choose one word to describe today's honoree, THE GREAT RUPERT (George Pal/Eagle-Lion Films, 1950) it would have to be the above mentioned "Squirrely". Beyond that obvious pun and reference, the next one up in this lexicon would have to be offbeat.
BEING WHAT WOULD today be classified as a "G" Rating, as approved fare for Family Viewing, the cast and story,nonetheless, do manage to keep even an adult clientèle interested. In much the same way that future family oriented cute-animal movies such as BENJI (Mulberry Square, 1974) and DIGBY: THE BIGGEST DOG IN THE WORLD Walter Stehnsen Film 1973), manage to simultaneously balance story line with equal portions of the madcap-comic, romance and mini-dramatic happenings*;in the final analysis, RUPERT accomplishes the same sort of results.
EXAMINATION OF THE cast reveals an unusual, yet solidly balanced blend of veteran talent. We are presented with newcomer, Tom Drake, in the juvenile male lead and love interest for ingénue, Terry Moore.
TOPPING THE VETERAN cast is Jimmy Durante. The "Old Schnozolla", himself turns in a performance that was at once funny, dramatic and believably entertaining. With all of his vast experience on stage, the radio and in the movies, it was truly a part that Jimmy could have "phoned in"; which he obviously did.
IN SUPPORTING ROLES we have the always reliable characterizations from Frank Orth, Jimmy Conlin and Chic Chandler; whose character pulled the unlikely double-duty as both romantic rival and in saving the day by getting young Dingle's (Drake)song published (and even recorded, yet!).
BEFORE WE GO ANY further, let's get back to Miss Moore. This part would mark the second straight year in which she would find herself playing in a cast which featured a stop-motion animated character. It was in the previous year's MIGHTY JOE YOUNG Argosy Pictures/RKO Radio Pictures, 1949) that her costar was a movable doll character of a relative few inches in length. With this two picture run, that Miss Moore would work with three of the biggest names in animation; namely Willis O'Brien & Ray Harryhausen (in MIGHTY JOE YOUNG) and finally with George Pal (in RUPERT THE GREAT).
AS FOR THE ANIMATION that made up a truly small portion of RUPERT, it is outstanding. It was well blended and interspersed with footage of a real, live squirrel; in order to give the furry nut-eater the chance to dance and 'perform' what could be only described as cute comic relief.* OUT OF A CURIOSITY that has existed for some years, we forced ourselves to watch RUPERT THE GREAT, yesterday evening over the Cable Channel Turner Classic Movies; which described it as a Christmas Picture. Whereas Christmas did play a part in the beginning of the movie; it did cover a lot more of a time span.
AS SILLY AS the whole premise seems to us today, with a much more cynical and jaded view of the World, the story does give us a sort of latter day fairy tale; what with all ending well in the end.
WE ALL NEED this now and again, even you and I. Right Schultz?
NOTE: * As far as the interplay between Miss Terry Moore and Rupert, there is none. Other than dropping the ca$h, while unseen to Durante's wife and being 'saved' from a burning building by a Fireman, 'Rupert' only had scenes with Jimmy Conlin.
BEING WHAT WOULD today be classified as a "G" Rating, as approved fare for Family Viewing, the cast and story,nonetheless, do manage to keep even an adult clientèle interested. In much the same way that future family oriented cute-animal movies such as BENJI (Mulberry Square, 1974) and DIGBY: THE BIGGEST DOG IN THE WORLD Walter Stehnsen Film 1973), manage to simultaneously balance story line with equal portions of the madcap-comic, romance and mini-dramatic happenings*;in the final analysis, RUPERT accomplishes the same sort of results.
EXAMINATION OF THE cast reveals an unusual, yet solidly balanced blend of veteran talent. We are presented with newcomer, Tom Drake, in the juvenile male lead and love interest for ingénue, Terry Moore.
TOPPING THE VETERAN cast is Jimmy Durante. The "Old Schnozolla", himself turns in a performance that was at once funny, dramatic and believably entertaining. With all of his vast experience on stage, the radio and in the movies, it was truly a part that Jimmy could have "phoned in"; which he obviously did.
IN SUPPORTING ROLES we have the always reliable characterizations from Frank Orth, Jimmy Conlin and Chic Chandler; whose character pulled the unlikely double-duty as both romantic rival and in saving the day by getting young Dingle's (Drake)song published (and even recorded, yet!).
BEFORE WE GO ANY further, let's get back to Miss Moore. This part would mark the second straight year in which she would find herself playing in a cast which featured a stop-motion animated character. It was in the previous year's MIGHTY JOE YOUNG Argosy Pictures/RKO Radio Pictures, 1949) that her costar was a movable doll character of a relative few inches in length. With this two picture run, that Miss Moore would work with three of the biggest names in animation; namely Willis O'Brien & Ray Harryhausen (in MIGHTY JOE YOUNG) and finally with George Pal (in RUPERT THE GREAT).
AS FOR THE ANIMATION that made up a truly small portion of RUPERT, it is outstanding. It was well blended and interspersed with footage of a real, live squirrel; in order to give the furry nut-eater the chance to dance and 'perform' what could be only described as cute comic relief.* OUT OF A CURIOSITY that has existed for some years, we forced ourselves to watch RUPERT THE GREAT, yesterday evening over the Cable Channel Turner Classic Movies; which described it as a Christmas Picture. Whereas Christmas did play a part in the beginning of the movie; it did cover a lot more of a time span.
AS SILLY AS the whole premise seems to us today, with a much more cynical and jaded view of the World, the story does give us a sort of latter day fairy tale; what with all ending well in the end.
WE ALL NEED this now and again, even you and I. Right Schultz?
NOTE: * As far as the interplay between Miss Terry Moore and Rupert, there is none. Other than dropping the ca$h, while unseen to Durante's wife and being 'saved' from a burning building by a Fireman, 'Rupert' only had scenes with Jimmy Conlin.