Paul McCartney finally achieved his cherished aim of making a movie short about Rupert Bear, the much-loved subject of the Daily Express daily story strip and annuals. They joy of Rupert (who was as important to my childhood as he was to McCartney's) is the magical combination of the familiar and the bizarrely unexpected: Rupert lives in Nutwood, a bucolically idyllic representation of between-the-wars rural England, populated (without comment) by a mixture of normal people and anthropomorphic animal/people like Rupert himself. If you spend much time in Nutwood, you will discover (among other things) a Chinese Pekinese dog/person who lives in a pagoda, a reclusive scientist with a dwarf helper who has seven league boots, an underground terminus for an elf railway and all sorts of other elements which manage to be both mundane and quietly demented at the same time. Above everything, it is very, very English.
McCartney and animation director collaborator Geoff Dunbar turn this into a small story where Rupert, out for a walk, stumbles upon a mass gathering of frogs who are collected together to celebrate, in song, the attendance of the Frog King and Queen. Rupert foils an attack by an owl and a couple of cats, then goes home.
So, plotwise, there isn't a lot going on, but that doesn't matter: the atmosphere is nicely conjured up, and the centrepiece is the Frog Song itself.
McCartney has come in for a lot of stick about the Frog Song: in my view this is unfair because the piece suits this movie perfectly. It is melodic, fun, majestic, and lends itself to an extended animation sequence very well: in that respect, it is just about perfect. However, it must be admitted that it is more or less the sole raison d'etre for the film: without it, the short film has little point.
McCartney and animation director collaborator Geoff Dunbar turn this into a small story where Rupert, out for a walk, stumbles upon a mass gathering of frogs who are collected together to celebrate, in song, the attendance of the Frog King and Queen. Rupert foils an attack by an owl and a couple of cats, then goes home.
So, plotwise, there isn't a lot going on, but that doesn't matter: the atmosphere is nicely conjured up, and the centrepiece is the Frog Song itself.
McCartney has come in for a lot of stick about the Frog Song: in my view this is unfair because the piece suits this movie perfectly. It is melodic, fun, majestic, and lends itself to an extended animation sequence very well: in that respect, it is just about perfect. However, it must be admitted that it is more or less the sole raison d'etre for the film: without it, the short film has little point.