Review of Harlequin

Harlequin (1980)
7/10
Great vehicle for its three main actors.
13 February 2012
Warning: Spoilers
"Harlequin", a.k.a. "Dark Forces", offers up an interesting, provocative story that is essentially a 1980s updating of the real-life Rasputin legend. A mysterious stranger, here named Gregory Wolfe (Robert Powell) works his way into the lives of a powerful senator, Nick Rast (David Hemmings), his wife Sandra (Carmen Duncan), and their leukemia-stricken son Alex (Mark Spain). He does this by seeming to cure the boy of his disease, and before long Sandra, whose marriage to Nick was an arranged one in the first place, develops a substantial attachment to the stranger.

For much of the time, as this story plays out, screenwriter Everett De Roche (whose other cool credits include "Roadgames", "Razorback", and "Patrick") and director Simon Wincer (who went on to have a career in Hollywood with movies such as "D. A. R. Y. L.", "Free Willy", and "The Phantom") keeps things nicely ambiguous: What really are the intentions of Mr. Wolfe? Is he angel or devil? Did he in fact cure the boy? And are there genuine supernatural forces to be reckoned with here? The political angle also adds to the intrigue as we are eventually made to think about who is truly manipulating whom.

A solid cast - also prominently featuring the legendary American actor Broderick Crawford in one of his final film roles, as well as Gus Mercurio, a busy actor in Australian cinema, makes the most of the material, especially Powell, who definitely seems to be quite enjoying himself. Hemmings is effectively low key while Duncan has a warm and alluring presence and young Spain is rather good as the weird kid.

All in all, the movie is good enough that some awfully cheesy special effects can be tolerated. In any event, the movie never becomes ABOUT the special effects, so it's not that important anyway. Excellent widescreen photography and a wonderful music score by the always reliable Brian May are heavy assets.

The ending, which may not be terribly satisfying to some viewers, is admittedly more subtle than one might expect. And De Roche, Wincer, and company know how to keep the element of mystery going the entire time and leave an intriguing concept of "what next" as it wraps up.

Overall, "Harlequin" is reasonably intelligent, and too ambitious to be easily dismissed. It's worth a look for film fans looking for something a little different.

Seven out of 10.
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