Robert Englund stars as a demon—he calls himself Inkubus (with an inverted K)—tormenting and playing mind games/magic tricks on a police station containing a small crew (the police station is being closed down as most of the employees have now moved into a brand new one), before killing each one. Joey Fatone (yes, of NSYNC), is a cop who has suffered what others consider a complete mental breakdown, being interviewed by a doctor while momentarily in a strait-jacket. His wife, a uniformed cop, suffered a gruesome fate, it seems, after her demon fetus rips itself from her belly. Fatone tells the doctor of the horrifying night at the soon-to-be-destroyed station after Englund turns himself in for committing serial killings for over a prolonged period of time (a century or so!). William Forsythe is a former cop who lost his wife and son to Englund's savagery, coming down to the station with his psychiatrist at Fatone's request to see if the man held in the interrogation room, hand-cuffed, is perhaps responsible for the murders that had left him a broken man (I personally think Forsythe is good here, playing a man relatively calm but fragile and barely held together; I think you can see the effort his character, the strides, has made to move on past a tragedy that many couldn't survive). Before long, members of law enforcement (security and personnel, including Jonathan Silverman of "Weekend at Bernies" fame) are manipulated and viciously mutilated/butchered by Englund who takes delight in his slaughter. Englund is having a blast, you can just tell, but this film's budget is obviously low. "Inkubus" looks like most of the money went to Englund and Forsythe with primarily the violence left off-screen, aftermaths of those decimated shown in explicit detail (a lot of body parts props are used along with plenty of colored Karo-syrup for blood) to convey how Inkubus hacked his victims to bits. A lot of quick cutting and careful camera placement diminishes the on screen brutality. The special effects involving Englund's abilities to jump around from one place to another and morph his body into whoever he so chooses to torture his prey are quite unimpressive and cheap. See this for the recognizable names, even though Fatone gets a brunt of the movie's scenes, this is all about Englund's battle of wills with Forsythe. My favorite scene has Englund, in the aforementioned interrogation room, taking credit for many well-known murders, including the White Chapel slayings among others, much to the dismay of Fatone and company. Probably the most memorable scene could be when Englund shows up to turn himself in for the murder currently holding another (the boy in the room with the female victim killed) under interrogation, carrying the head of the victim!