7/10
Pretty good, but a tad two-dimensional
29 May 2012
Takako Ishikawa stars as a woman from Hiroshima who left it shortly after the bombing to live with her aunt and uncle on a nearby island. She lost the rest of her family in the disaster. Four years afterward, she returns to check up on old acquaintances. Ishikawa is basically an audience surrogate, as we see how the people of Hiroshima are doing. The answer: not that well, as you might expect. The city is still devastated, people are dying of radiation poisoning, many are horribly injured. But life goes on, represented by the children of the city, many of them orphans, but they live their lives as carefree as they can. Ishikawa feels guilty for leaving the city and not being able to help her townspeople, but she finds hope in a young boy, the grandson of one of her father's employees. Osamu Takizawa is now a blind beggar, and can't really take care of the boy himself (he lives in an orphanage). Ishikawa offers to adopt the boy, but he is understandably reluctant to leave his grandfather behind. This is a touching film, but it is pretty two dimensional. It kept reminding me of the far superior Grave of the Fireflies, and the only tears I shed during it came about because I was thinking of the Isao Takahata anime (a rare film which I just cannot recall without tearing up). Takizawa gives a pretty good performance. Ishikawa went on to star in Shindo's three most famous films, Onibaba, The Naked Island and Kuroneko. The very unsubtle score is by Akira Ifukube, who would go on to score Gojira and tons of other kaiju eiga.
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