Days of Our Lives in space is the best way in which to describe this dreary, laborious non-event. Intrepid reporter (Nutter) is granted access to a space station on which the crew are less than excited about his presence to the extent he quickly earns the nickname of "Leech". Predictably, he becomes a burden in the name of any moral cause that emerges, causing conflict among the crew as they try to save the earth from oblivion.
Nutter made a very brief impression in films when we played Felix Leiter in the James Bond instalment "Thunderball", but his acting leaves a lot to be desired, hampered further by the inane dialogue that leads him to compare the hot young female cosmonaut (Farion) to that of a mascot chimp that belonged to this father. Archie Savage and Franco Fantasia are the only other recognisable names in the cast playing chivalrous space heroes, while veteran spaghetti movie-maker Antonio Margheriti directs his second picture.
A lot of goofy explanations and additional narrative is supplied via voice-over, while miniatures do their job at depicting outer space paraphernalia. The special effects are spectacularly infantile, but the plot thickens nicely and the tension almost makes palpable as the puerile dialogue pours on the sympathy like rivers of gravy over this proverbial turkey. But how can you not like a movie that features an actor by the name of "Alain Dijon"?
Nutter made a very brief impression in films when we played Felix Leiter in the James Bond instalment "Thunderball", but his acting leaves a lot to be desired, hampered further by the inane dialogue that leads him to compare the hot young female cosmonaut (Farion) to that of a mascot chimp that belonged to this father. Archie Savage and Franco Fantasia are the only other recognisable names in the cast playing chivalrous space heroes, while veteran spaghetti movie-maker Antonio Margheriti directs his second picture.
A lot of goofy explanations and additional narrative is supplied via voice-over, while miniatures do their job at depicting outer space paraphernalia. The special effects are spectacularly infantile, but the plot thickens nicely and the tension almost makes palpable as the puerile dialogue pours on the sympathy like rivers of gravy over this proverbial turkey. But how can you not like a movie that features an actor by the name of "Alain Dijon"?