There's a lot to like in CHAMBER OF HORRORS, if you can forgive the copycat style that makes it look like a rip-off of HOUSE OF WAX at times. But the plot, involving a killer (Patrick O'Neal) taking revenge on those who punished him for his crimes, moves swiftly amid some handsome color settings and should keep fright fans interested. O'Neal is very persuasive in the central role.
Less can be said of others in the cast--including Marie Windsor who is mainly wasted in a supporting role, Suzy Parker whose role has no depth at all and Patrice Wymore.
Laura Devon is a stunning blond beauty and makes the most of her decorative assignment as the woman who sets up the men targeted for gruesome killings. The wax museum itself is an intriguing setting but the script is not up to the standards of the Vincent Price film with a somewhat similar storyline. Wilfrid Hyde-White and Cesare Danova are effective enough as the men who want to trap the killer.
Recommended mainly for its excellent use of Victorian atmosphere and crisp, clear Technicolor.
Less can be said of others in the cast--including Marie Windsor who is mainly wasted in a supporting role, Suzy Parker whose role has no depth at all and Patrice Wymore.
Laura Devon is a stunning blond beauty and makes the most of her decorative assignment as the woman who sets up the men targeted for gruesome killings. The wax museum itself is an intriguing setting but the script is not up to the standards of the Vincent Price film with a somewhat similar storyline. Wilfrid Hyde-White and Cesare Danova are effective enough as the men who want to trap the killer.
Recommended mainly for its excellent use of Victorian atmosphere and crisp, clear Technicolor.