I can't claim to know anything specific about Polish culture or Polish-American culture and I'd assume the slating "Polish Wedding" has got, particularly from Poles, is something akin to how some Irish people view Hollywood films about Irish-American families. Some of it is understandable (ever watch "Far and Away" without cringing?) but most times I think critics read too much into the context and not enough into the film itself.
As an outsider, "Polish Wedding" comes across as a film about white working-class Americans. I can see parallels with some of my own relations - an American community that uses the glue of their shared ethnic origin to bind themselves together. In the film's case, that happens to be Polish and there is an authentic ring to the hothouse bonds of a large family with Catholicism always present in the background.
However, despite its very American setting, "Polish Wedding" is far more European in structure and storyline, a record of ordinary events about ordinary people who don't have heroic aspirations and who adapt the best they can to whatever life throws up. In a way, it's almost like reality TV, a chance to peek into the lives of others without having any influence on the outcome.
While not as intense as classics in that tradition like the "Three Colours" trilogy, it is an interesting take on a theme that has rarely been examined by Hollywood and has enough inter-personal emotion to compensate for the lack of complexity in the story.
As an outsider, "Polish Wedding" comes across as a film about white working-class Americans. I can see parallels with some of my own relations - an American community that uses the glue of their shared ethnic origin to bind themselves together. In the film's case, that happens to be Polish and there is an authentic ring to the hothouse bonds of a large family with Catholicism always present in the background.
However, despite its very American setting, "Polish Wedding" is far more European in structure and storyline, a record of ordinary events about ordinary people who don't have heroic aspirations and who adapt the best they can to whatever life throws up. In a way, it's almost like reality TV, a chance to peek into the lives of others without having any influence on the outcome.
While not as intense as classics in that tradition like the "Three Colours" trilogy, it is an interesting take on a theme that has rarely been examined by Hollywood and has enough inter-personal emotion to compensate for the lack of complexity in the story.