Mike Leigh's directorial debut remains some forty years later a powerful story which focuses on the ordinary living of a group of Londoners trying to carve out some meager semblance of existence. The true conflict resides within: nearly all of the characters Leigh centralizes on have some form of deep-set emotional turmoil raging inside of them. Sylvia, the main character who lives alone while caring for her mentally handicapped sister and working at a secretarial job she doesn't care for, seems not only disappointed in her life but also helpless in any way to improve upon her current situation.
She attempts to start up some kind of relationship with Peter, a shy and introspective schoolteacher but he seems even more apprehensive and cautious than she. Added to this mix are Pat, a rather talkative friend from work with her own set of issues, and Norm, a really odd but likable hippie-type living next door to Sylvia who attracts her through his gentility and musical ability.
Leigh's ability to probe deep within these characters and expose their innermost pain and turmoil is truly astonishing to see. So much is said with a facial gesture or expression of the eyes. Silence dominates the conversations of these people, leaving the audience ample time to study the atmosphere of the situation and the long-term results of such behavior. Certainly this is a stunning debut and lays the groundwork for future works exploring even further the inner workings of human relations.
She attempts to start up some kind of relationship with Peter, a shy and introspective schoolteacher but he seems even more apprehensive and cautious than she. Added to this mix are Pat, a rather talkative friend from work with her own set of issues, and Norm, a really odd but likable hippie-type living next door to Sylvia who attracts her through his gentility and musical ability.
Leigh's ability to probe deep within these characters and expose their innermost pain and turmoil is truly astonishing to see. So much is said with a facial gesture or expression of the eyes. Silence dominates the conversations of these people, leaving the audience ample time to study the atmosphere of the situation and the long-term results of such behavior. Certainly this is a stunning debut and lays the groundwork for future works exploring even further the inner workings of human relations.