Many people have been describing THE AGGRESSION SCALE as HOME ALONE for adults, and while it does feature some home invasion-style nastiness, for the most part I would say they miss the mark. Despite the prevalence of the household setting for much of the action, THE AGGRESSION SCALE has more in common with the likes of the recent MOTHER'S DAY remake, featuring a gang of remorseless criminals and some unwilling victims who decide to fight back rather than take what's coming to them.
It's a surprisingly decent little production, well staged with maximum suspense wrung from the simple premise. The likes of Ray Wise, Derek Mears and in particular Dana Ashbrook make for some unpleasant bad guys, the sort you'll love to hate, while Ryan Hartwig's maladjusted young lead is atypical and intriguing, a true antihero who the scriptwriter doesn't bother trying to make sympathetic. The film is more effective because of that, refusing to give the viewer an outright protagonist to cheer on, instead enmeshing them in violent subterfuge as the titular scale goes through the roof.
There are occasional missteps, like the ridiculous detour into a car park in which none of the characters act as they really should, but it all comes together for a deliciously nasty climax that doesn't disappoint, given the set-up that comes before it. THE AGGRESSION SCALE has an edgy, modern feel to it that lifts it above other recent home invasion flicks to make it one memorable B-movie outing. It's this kind of fresh, inventive, lower budgeted fare that gives the big blockbusters a run for their money these days.
It's a surprisingly decent little production, well staged with maximum suspense wrung from the simple premise. The likes of Ray Wise, Derek Mears and in particular Dana Ashbrook make for some unpleasant bad guys, the sort you'll love to hate, while Ryan Hartwig's maladjusted young lead is atypical and intriguing, a true antihero who the scriptwriter doesn't bother trying to make sympathetic. The film is more effective because of that, refusing to give the viewer an outright protagonist to cheer on, instead enmeshing them in violent subterfuge as the titular scale goes through the roof.
There are occasional missteps, like the ridiculous detour into a car park in which none of the characters act as they really should, but it all comes together for a deliciously nasty climax that doesn't disappoint, given the set-up that comes before it. THE AGGRESSION SCALE has an edgy, modern feel to it that lifts it above other recent home invasion flicks to make it one memorable B-movie outing. It's this kind of fresh, inventive, lower budgeted fare that gives the big blockbusters a run for their money these days.