The movie begins. A mouse is trapped. It is trapped in a maze. A maze controlled by someone, to guide the mouse. The maze seem endless. Such is the beginning of the Kovak Box, but it is also the entire movie played out in a single opening sequence.
Is there a need then, to continue watching the movie? Yes, of course. The movie is anything but predictable. Even though you know you are entering a maze, you have no idea what it looks like, or what turns you must take a long the way, and make no mistake, you, the watcher, are as much trapped within this movie as David Norton, the writer.
I would like to tell a bit about the plot, but beware of the words, they must be vague.
The writer, David Norton (Timothy Hutton), is going to Mallorca, with his girlfriend Jane. He is attending a conference in his honor. He is a science fiction writer, but is currently looking for that next masterpiece that will make the world remember him forever. On the plane there, he deletes an idea that might have been something from a David Cronenberg film. And yes, I would have watched that movie as well, gladly. But this story is not the one that David is looking for. There is another couple on the plane, but the movie makes no attempt to hide the fact that we should only be interested in the woman. At this point, there is no connection between the two, but that is about to change.
On the island strange things start to happen. A Russian hit-man. The arrival of a mysterious DVD with a monkey that kills itself. Strange phone calls and music. Suicides. It is all connected, of course, but only revealed by the end.
This started with the feeling of a Cronenberg film (I wonder if its a coincidence that the main character was named David?), but turned into a Fincher film (another David...), and for a second reminded me a bit about The Game. When that is said, while Timothy Hutton does a nice job at playing the role of the writer, the characters surrounding him are not the likes of which Cronenberg, Fincher or even Lynch (a third David...) would have used.
I like the overall premise of the film, but by the end, too much is explained. The three Davids would never have explained this much, they would have challenged the watcher to find the answers for himself. This is the biggest problem of the movie. Was it worth watching? Yes, of course. Could it have been better? Yes, surely, but I would have no trouble going back and seeing it a second time.
Is there a need then, to continue watching the movie? Yes, of course. The movie is anything but predictable. Even though you know you are entering a maze, you have no idea what it looks like, or what turns you must take a long the way, and make no mistake, you, the watcher, are as much trapped within this movie as David Norton, the writer.
I would like to tell a bit about the plot, but beware of the words, they must be vague.
The writer, David Norton (Timothy Hutton), is going to Mallorca, with his girlfriend Jane. He is attending a conference in his honor. He is a science fiction writer, but is currently looking for that next masterpiece that will make the world remember him forever. On the plane there, he deletes an idea that might have been something from a David Cronenberg film. And yes, I would have watched that movie as well, gladly. But this story is not the one that David is looking for. There is another couple on the plane, but the movie makes no attempt to hide the fact that we should only be interested in the woman. At this point, there is no connection between the two, but that is about to change.
On the island strange things start to happen. A Russian hit-man. The arrival of a mysterious DVD with a monkey that kills itself. Strange phone calls and music. Suicides. It is all connected, of course, but only revealed by the end.
This started with the feeling of a Cronenberg film (I wonder if its a coincidence that the main character was named David?), but turned into a Fincher film (another David...), and for a second reminded me a bit about The Game. When that is said, while Timothy Hutton does a nice job at playing the role of the writer, the characters surrounding him are not the likes of which Cronenberg, Fincher or even Lynch (a third David...) would have used.
I like the overall premise of the film, but by the end, too much is explained. The three Davids would never have explained this much, they would have challenged the watcher to find the answers for himself. This is the biggest problem of the movie. Was it worth watching? Yes, of course. Could it have been better? Yes, surely, but I would have no trouble going back and seeing it a second time.