An enigmatic film by Saverio Costanzo was shown recently on a cable channel. The adaptation of a novel by Paolo Giordano, comes to the screen in this story that is told in three different times and covers events in the lives of Alice and Mattia, two wounded souls who destiny brings together in surprising and mysterious ways.
Starting in childhood, Mattia and his twin sister Michela, who suffers from an unknown disease that has rendered totally dependent on her parents, and ultimately, his sibling make an odd pair. He is healthy, while she is obviously handicapped. Alice, on the other hand, seems to come from a happier background, but after an accident which has left her with a noticeable limp, she retreated to a world of her own.
In high school, both Mattia and Alice's path convene under strange circumstances. Alice an introvert soul, is bullied by her peers. She is the butt for all the cool girls jokes and derision. Mattia, who begins attending Alice's school, is in his own world, not mixing with the other boys. A cruel classmate, Viola, realizes Alice is in love with Mattia. Feigning to like the girl, Viola has a surprise in store as she humiliates Alice during her birthday party. Alice's confidence is shattered, and Mattia is unable to be of help.
As years pass, Alice, now a photographer, lures Mattia into accompanying her to Viola's wedding. Mattia and Alice repair to an empty space, avoiding the celebration, where she starts caressing the man she has been in love for so long. As fate has it, Mattia goes to follow his studies to Germany, while Alice by now married and separated seeks information about him with his mother. Mattia, concerned about Alice's welfare, returns for a visit, but he is too horrified to find an unknown Alice, who is clearly in a state of despair about the turn her life has taken. Is it too late for these lovers?
Saverio Costanzo directed as well as collaborated with Mr. Giordano in the adaptation of the text to the screen treatment of the material. The message seems to refer as how the prime numbers relate to these two strange lives that crave to be together, but cannot find happiness in any way they can connect. The staging of the story relies in the use of fog and rain in the key scenes of the film. The story starts slowly, as the viewer feels disoriented, as well as disconnected from the story, but to his credit, Mr. Costanzo, pulls us into the drama of lives wasted and opportunities that escape these souls that have so much to give one another, but never connect, like the prime numbers.
An excellent Alba Rohrwacher keeps giving amazing portrayals in whatever project she graces with her presence. She is an amazing actress who always surprises with her innate intelligence. Equally surprising is the work of Martina Albano, seen as the young Alice. She makes an impression in this film and no doubt she will continue to go to showcase her talent. We enjoyed Vittorio Lomartire as the young Mattia. Luca Marinelli, playing the older Mattia does not have much to do. Isabella Rossellini appears as Mattia's mother in a small, but pivotal role. Aurora Ruffino is perfect as Viola.
The production gets a fabulous look thanks to Fabio Ciancetti camera work. Mike Patton's musical score feels right for all the different eras in the story and the editing of Francesca Calvelli serves the film well. Saverio Costanzo is a talented filmmaker whose work merits a view by fans of the Italian cinema.
Starting in childhood, Mattia and his twin sister Michela, who suffers from an unknown disease that has rendered totally dependent on her parents, and ultimately, his sibling make an odd pair. He is healthy, while she is obviously handicapped. Alice, on the other hand, seems to come from a happier background, but after an accident which has left her with a noticeable limp, she retreated to a world of her own.
In high school, both Mattia and Alice's path convene under strange circumstances. Alice an introvert soul, is bullied by her peers. She is the butt for all the cool girls jokes and derision. Mattia, who begins attending Alice's school, is in his own world, not mixing with the other boys. A cruel classmate, Viola, realizes Alice is in love with Mattia. Feigning to like the girl, Viola has a surprise in store as she humiliates Alice during her birthday party. Alice's confidence is shattered, and Mattia is unable to be of help.
As years pass, Alice, now a photographer, lures Mattia into accompanying her to Viola's wedding. Mattia and Alice repair to an empty space, avoiding the celebration, where she starts caressing the man she has been in love for so long. As fate has it, Mattia goes to follow his studies to Germany, while Alice by now married and separated seeks information about him with his mother. Mattia, concerned about Alice's welfare, returns for a visit, but he is too horrified to find an unknown Alice, who is clearly in a state of despair about the turn her life has taken. Is it too late for these lovers?
Saverio Costanzo directed as well as collaborated with Mr. Giordano in the adaptation of the text to the screen treatment of the material. The message seems to refer as how the prime numbers relate to these two strange lives that crave to be together, but cannot find happiness in any way they can connect. The staging of the story relies in the use of fog and rain in the key scenes of the film. The story starts slowly, as the viewer feels disoriented, as well as disconnected from the story, but to his credit, Mr. Costanzo, pulls us into the drama of lives wasted and opportunities that escape these souls that have so much to give one another, but never connect, like the prime numbers.
An excellent Alba Rohrwacher keeps giving amazing portrayals in whatever project she graces with her presence. She is an amazing actress who always surprises with her innate intelligence. Equally surprising is the work of Martina Albano, seen as the young Alice. She makes an impression in this film and no doubt she will continue to go to showcase her talent. We enjoyed Vittorio Lomartire as the young Mattia. Luca Marinelli, playing the older Mattia does not have much to do. Isabella Rossellini appears as Mattia's mother in a small, but pivotal role. Aurora Ruffino is perfect as Viola.
The production gets a fabulous look thanks to Fabio Ciancetti camera work. Mike Patton's musical score feels right for all the different eras in the story and the editing of Francesca Calvelli serves the film well. Saverio Costanzo is a talented filmmaker whose work merits a view by fans of the Italian cinema.