What's a sheep herder to do when his beloved Italian wife dies? Marry her extra earthy sister of course! Anthony Quinn is the lusty rancher who almost instantaneously looses her not yet full love by referring to her with her sister's name. The luscious. Anna Magnani, fresh from The Rose Tattoo, adds another unforgettable performance to her few English language films, a characterization so rich that you can't see her as anything other as gorgeous even though she lacks typical Hollywood sex appeal.
Magnani's appeal comes from deep inside where true beauty exists. Watch her almost girl-like joy erupt when she speaks her first words of English. Then when she finds the wild horse she wants only to tame so much, wait for her sudden disappointment when Quinn makes the now tame stallion pull a buggy for her, a metaphor for her own refusal to be tamed. The wild, yet love-starved Magnani falls for Quinn's trusted ward, Anthony Franciosa, who struggles with guilt over his feelings towards her. In a very emotional scene between the two. Anthony's, Quinn takes male to male affection to a level never seen on screen before which is based on love, unique because there is no macho image desperate to hide it. The result is real and refreshing.
Franciosa is not as showy as his earthier co-stars which helps level the intensity. A shocking scene involves the spontaneous birth of a sheep and another where Quinn tries to fool a sheep into thinking that an orphaned baby is hers so she will nurse it. Little details like this help this rise above its familiar story. The frothy opening theme song sets this American version of European new wave into first gear and never switches into neutral.
Magnani's appeal comes from deep inside where true beauty exists. Watch her almost girl-like joy erupt when she speaks her first words of English. Then when she finds the wild horse she wants only to tame so much, wait for her sudden disappointment when Quinn makes the now tame stallion pull a buggy for her, a metaphor for her own refusal to be tamed. The wild, yet love-starved Magnani falls for Quinn's trusted ward, Anthony Franciosa, who struggles with guilt over his feelings towards her. In a very emotional scene between the two. Anthony's, Quinn takes male to male affection to a level never seen on screen before which is based on love, unique because there is no macho image desperate to hide it. The result is real and refreshing.
Franciosa is not as showy as his earthier co-stars which helps level the intensity. A shocking scene involves the spontaneous birth of a sheep and another where Quinn tries to fool a sheep into thinking that an orphaned baby is hers so she will nurse it. Little details like this help this rise above its familiar story. The frothy opening theme song sets this American version of European new wave into first gear and never switches into neutral.