Released in 1989 this is a "work in progress" movie for both writer Richard Curtis and Director Mel Smith. Both were to move on to much better things! That said there are weak signals of Curtis's talent later to be fully realised in "Four a Weddings and a Funeral", "Notting Hill" and "Love Actually". But a few good lines does not a coherent movie make and the plot is shallow and the characterisation sketchy at best. Jeff Goldblum's Dexter seems bewildered by everything - not least his subservient position to comic superstar Ron Anderson played with believable malevolence by Rowan Atkinson. Emma Thompson, then just 30, looks lovely and shows her developing talent as a comic actress. The best thing in the film by some way.
Mel Smith's direction drags a bit and it is only in the very funny mock musical "Elephant" - based improbably on the "Elephant Man" - that the film comes to life. The musical is a chance for Smith to satirise the musical genre of the time with references to Les Miserables and especially to the Lloyd-Webber songbook. A Sarah Brightman lookalike does a number straight out of "Phantom" and it's very funny.
The film is quite daring with an explicit sex scene between Thompson and Goldblum that is so energetic that they destroy the former's bedroom, The relationship between the two is a forerunner of Curtis's boy/girl romances in later movies. Always a slip or three between cup and lip!
This is not a great film nor even a very good one. It is worth study as an exercise in how Richard Curtis's talent was first applied in a movie rather than television for which he was previously known (especially for Blackadder).
Mel Smith's direction drags a bit and it is only in the very funny mock musical "Elephant" - based improbably on the "Elephant Man" - that the film comes to life. The musical is a chance for Smith to satirise the musical genre of the time with references to Les Miserables and especially to the Lloyd-Webber songbook. A Sarah Brightman lookalike does a number straight out of "Phantom" and it's very funny.
The film is quite daring with an explicit sex scene between Thompson and Goldblum that is so energetic that they destroy the former's bedroom, The relationship between the two is a forerunner of Curtis's boy/girl romances in later movies. Always a slip or three between cup and lip!
This is not a great film nor even a very good one. It is worth study as an exercise in how Richard Curtis's talent was first applied in a movie rather than television for which he was previously known (especially for Blackadder).