Peter Hyams' "Enemies Closer" begins with a crash and ends with a bang, and nothing more or less. The crash belongs to a plane flying below the radar between the US-Canadian border, conforming my belief that Hyams hates aircraft following the odd destruction of helicopters in "Narrow Margin" and "Sudden Death" (I jest), but also setting off a chain of events at the nearby national park involving two war veterans at odds with each other and a deranged vegan-eco lunatic mercenary hell bent on killing anyone who gets in his way and eating wild fruit from the forest.
It's the simplicity of Eric's and James Bromberg's cornball script that caught my attention - most big budget films today tend to be somewhat pretentious in their depiction of certain themes. "Enemies Closer", made with a budget of only US$ 5 million but looks and feels about 4x as much, is about as straightforward as a bullet to the head, without a hint of self-awareness or pretentiousness. It takes itself so seriously, you'll swear you're back in time between the late 80s and early 90s.
Hyams may never be considered an auteur filmmaker in his lifetime, but he is undeniably a skilled craftsman - able to make films of various genres with considerable flair despite not having his own artistic trademark, save for his lush and underrated cinematography (a skill that he is supremely better at than directing) which works wonders for this film as it makes the film look more expensive than it is. Lovely stable shots of dark shadows and silhouetted fight scenes illuminate throughout the last two thirds of the film, stitched together nicely by Hyams' son John (director of the last two "Universal Soldier" films, both equally directed with considerable skill and crisp timing). Special mention goes to Hyams regular production designer Philip Harrison for making the Bulgarian local look and feel like a genuine Canadian-US woodland.
Tom Everett Scott and Orlando Jones are the protagonists in this one. Scott portrays an everyman park ranger who is an ex-soldier haunted by his past (as always), and Jones is the vengeful brother of a soldier who was killed under the ranger's past command. While they will never be considered as real action stars, both Scott and Jones do a believable job with the material they are given, and best of all, NOT annoying.
Both lock horns and one is about to kill the other when a group of French Canadian mercenaries led by the psychopathic Xander crash the party to steal a stash of heroin from the downed plane. This Xander, he is a real piece of work. He is played by Jean-Claude Van Damme, and boy is he having fun with this role.Borrowing bits and pieces from Silva from "Skyfall" and Heath Ledger's Joker, complete with an outrageous hairdo, bizarre mannerisms, and a penchant for badmouthing everything that isn't "green", Van Damme steals every scene he's in with his oddball yet energetic performance. Ever since "The Expendables 2", he looked as if he could have a second life playing great villains. With this movie, it probably could reboot his career if others are willing to see it. His exit from the movie alone deserves a perfect 10/10.
Look, this is not a great movie, not by a long shot. It's corny, it's cheesy and it sounds cheap (the music is pretty bad). However to quote Van Damme, "let's not think about the negatives". The strengths outweigh the flaws, and somehow Hyams, Van Damme and the rest of the cast and crew manage to make this movie work. An efficiently made, straightforward action thriller that pulls no punches, and does what it sets out to do. Now if only the producers at EON could see this and consider JCVD as a Bond villain...
It's the simplicity of Eric's and James Bromberg's cornball script that caught my attention - most big budget films today tend to be somewhat pretentious in their depiction of certain themes. "Enemies Closer", made with a budget of only US$ 5 million but looks and feels about 4x as much, is about as straightforward as a bullet to the head, without a hint of self-awareness or pretentiousness. It takes itself so seriously, you'll swear you're back in time between the late 80s and early 90s.
Hyams may never be considered an auteur filmmaker in his lifetime, but he is undeniably a skilled craftsman - able to make films of various genres with considerable flair despite not having his own artistic trademark, save for his lush and underrated cinematography (a skill that he is supremely better at than directing) which works wonders for this film as it makes the film look more expensive than it is. Lovely stable shots of dark shadows and silhouetted fight scenes illuminate throughout the last two thirds of the film, stitched together nicely by Hyams' son John (director of the last two "Universal Soldier" films, both equally directed with considerable skill and crisp timing). Special mention goes to Hyams regular production designer Philip Harrison for making the Bulgarian local look and feel like a genuine Canadian-US woodland.
Tom Everett Scott and Orlando Jones are the protagonists in this one. Scott portrays an everyman park ranger who is an ex-soldier haunted by his past (as always), and Jones is the vengeful brother of a soldier who was killed under the ranger's past command. While they will never be considered as real action stars, both Scott and Jones do a believable job with the material they are given, and best of all, NOT annoying.
Both lock horns and one is about to kill the other when a group of French Canadian mercenaries led by the psychopathic Xander crash the party to steal a stash of heroin from the downed plane. This Xander, he is a real piece of work. He is played by Jean-Claude Van Damme, and boy is he having fun with this role.Borrowing bits and pieces from Silva from "Skyfall" and Heath Ledger's Joker, complete with an outrageous hairdo, bizarre mannerisms, and a penchant for badmouthing everything that isn't "green", Van Damme steals every scene he's in with his oddball yet energetic performance. Ever since "The Expendables 2", he looked as if he could have a second life playing great villains. With this movie, it probably could reboot his career if others are willing to see it. His exit from the movie alone deserves a perfect 10/10.
Look, this is not a great movie, not by a long shot. It's corny, it's cheesy and it sounds cheap (the music is pretty bad). However to quote Van Damme, "let's not think about the negatives". The strengths outweigh the flaws, and somehow Hyams, Van Damme and the rest of the cast and crew manage to make this movie work. An efficiently made, straightforward action thriller that pulls no punches, and does what it sets out to do. Now if only the producers at EON could see this and consider JCVD as a Bond villain...