1940's "The Mad Doctor" is a sadly generic but wholly appropriate title for this Paramount feature, one of their rare genre efforts (working titles "The Monster" and "A Date with Destiny"). In the title role of Dr. George Sebastian, Basil Rathbone is not a 'mad doctor' as in 'mad scientist,' but a psychotic faux psychiatrist living with partner Maurice Gretz (Martin Kosleck), both wanted for murder in Vienna, having relocated to America. With the sudden demise of Sebastian's third wife, he takes up residence in New York City, where he begins another practice, meeting up with potential wife number four, hypochondriac Linda Boothe (Ellen Drew), whom Maurice believes would be the perfect candidate due to her suicidal tendencies (that would save them the trouble of bumping her off). Lurking in the background is Dr. Charles Downer (Ralph Morgan), a longtime friend of Sebastian's late wife, whose suspicions about her untimely death are soon confirmed, at his peril. This Ben Hecht story is loaded with promise, yet fudges its attempts at suspense with sketchy characterizations, virtually none of whom engender any sympathy, particularly the heroine, apparently as dim as the scatterbrained sister (Barbara Allen) that introduced her to Dr. Sebastian. The binding relationship between the doctor and Maurice is by far the most intriguing aspect to the film, but little footage is devoted to their villainy, the pace slowed to a crawl by endless romantic twaddle. The final third almost makes up for all these faults, but the excellent cast is left pretty much on their own. Ellen Drew was much better, and far more sympathetic, in another Paramount, "The Monster and the Girl," while Martin Kosleck easily steals his scenes from the rather surprisingly uninspired Rathbone (much better in "Kind Lady"), soon to enjoy one of his finest villains opposite Tyrone Power in "The Mark of Zorro."
Review of The Mad Doctor
