In the Blood has nearly the same plot as the Liam Neeson thriller Taken but it is much easier to swallow. Here again is another movie about someone who finds that their loved one has been kidnapped and must twist and turn into a seamy underworld to bring them back. The difference between the two is that the earlier picture was a high-gloss Hollywood production while this one is shot more like a documentary. It is by no means perfect, but you at least feel like you've entered into a very dark and dangerous world. You can believe what you're seeing.
Directed by former teen actor John Stockwell, In the Blood stars real life mixed-martial arts champ Gina Carano as Ava, who is on her honeymoon in the Caribbean with her new husband Derek. Stockwell's skill in the early scenes is to capture the lush atmosphere of this island. It looks like ad for a cruise line so we can easily understand how the two lovers get caught up in it.
Then something happens. At a nightclub, a small incident leads to a fight. Ava mops the floor with three guys who are about to beat up Derek. The next day, the couple go zip-lining. There's an accident and Derek is injured. An ambulance comes. She is told that she cannot ride with him, so she is told the name of the hospital that he is being taken to. When she gets there, she is told that he never checked in. Something is clearly wrong.
Dealing with a hard-weathered police officer (played by the ever- reliable Luis Guzmán) she is given the run-around. The cops seem to be following the pattern but are clearly dragging their feet. So, she decides to do some digging herself. Then follows a long, and quite dangerous, spiral into the dark underworld of the Latin American criminal underground in which Ava muscles and strong-arms one guy after another to get answers to Derek's whereabouts, which is especially tough since the wall of resistance is held up by the likes of Luis Guzmán, Danny Trejo and Stephen Lang.
More of the plot cannot be revealed except to say that what she uncovers is actually believable. Unlike Taken we can accept that Ava would be capable of twisting the arms of these grizzled tough guys. She is played by Gina Carano, who has a tight body and a muscular structure that allows us to believe that she could survive in this environment. She's not your wimpy little heroine, but has a personality and a build that reminds us of Linda Hamilton in Terminator 2.
If there's a weakness in the film, it is John Stockwell's insistence on wall to wall music. He wants to invoke a kind of documentary feel, but his film is often slick where it should feel like raw footage. This is probably the best film he's made so far. In the Blood, like most of his previous work indicates that Stockwell has a fascination with stories about American tourist pulled into the dark underbelly of Latin America. He previously made Into the Blue, a remake of The Deep, about a group of tourist who find themselves in trouble over the cargo of down airplane. And he made the silly horror adventure Turistas, about a group of tourists in Brazil who find themselves in trouble with members of an illegal organ transplant operation. The plots are similar, but what is clear is that Stockwell is a competent director but not yet a great one. Yet, in sense that with In the Blood, his work is improving. It's far from perfect but you get caught up in it.
Directed by former teen actor John Stockwell, In the Blood stars real life mixed-martial arts champ Gina Carano as Ava, who is on her honeymoon in the Caribbean with her new husband Derek. Stockwell's skill in the early scenes is to capture the lush atmosphere of this island. It looks like ad for a cruise line so we can easily understand how the two lovers get caught up in it.
Then something happens. At a nightclub, a small incident leads to a fight. Ava mops the floor with three guys who are about to beat up Derek. The next day, the couple go zip-lining. There's an accident and Derek is injured. An ambulance comes. She is told that she cannot ride with him, so she is told the name of the hospital that he is being taken to. When she gets there, she is told that he never checked in. Something is clearly wrong.
Dealing with a hard-weathered police officer (played by the ever- reliable Luis Guzmán) she is given the run-around. The cops seem to be following the pattern but are clearly dragging their feet. So, she decides to do some digging herself. Then follows a long, and quite dangerous, spiral into the dark underworld of the Latin American criminal underground in which Ava muscles and strong-arms one guy after another to get answers to Derek's whereabouts, which is especially tough since the wall of resistance is held up by the likes of Luis Guzmán, Danny Trejo and Stephen Lang.
More of the plot cannot be revealed except to say that what she uncovers is actually believable. Unlike Taken we can accept that Ava would be capable of twisting the arms of these grizzled tough guys. She is played by Gina Carano, who has a tight body and a muscular structure that allows us to believe that she could survive in this environment. She's not your wimpy little heroine, but has a personality and a build that reminds us of Linda Hamilton in Terminator 2.
If there's a weakness in the film, it is John Stockwell's insistence on wall to wall music. He wants to invoke a kind of documentary feel, but his film is often slick where it should feel like raw footage. This is probably the best film he's made so far. In the Blood, like most of his previous work indicates that Stockwell has a fascination with stories about American tourist pulled into the dark underbelly of Latin America. He previously made Into the Blue, a remake of The Deep, about a group of tourist who find themselves in trouble over the cargo of down airplane. And he made the silly horror adventure Turistas, about a group of tourists in Brazil who find themselves in trouble with members of an illegal organ transplant operation. The plots are similar, but what is clear is that Stockwell is a competent director but not yet a great one. Yet, in sense that with In the Blood, his work is improving. It's far from perfect but you get caught up in it.