Compound Fracture feels like a first outing, and it is. Tyler Mane's new company offers us a passable thriller that ultimately never truly thrills.
The story works. It offers characters with interesting drama and characterization, and a villain with a purpose. There are a few forced moments, where the emotion just shows up instead of being earned organically, but that could be in part to the directing and editing, which I will get to later. The story definitely had potential for thrills, and each character is memorable in their own way, and that is something you don't often find in indie horrors/thrillers, especially first timers like Geerlings.
The acting was weak. Muse Watson, the patriarch with dementia, often felt way over the top as he went in and out of lucidity. Sometimes it felt like dementia, sometimes if felt like he was tired and ready to go home. Tyler Mane will always feel like a giant to me, and it was hard, but not impossible, to see him as a family man. I think his strengths come from playing more fringe characters, less 'everyman'. Alex Saxon was a point of awkwardness for me. He fear noises really drew me out of the moment.
I think, even with the acting, there is potential in the film, but it all fell flat due to the direction/editing. I'm going to group those since they were done by the same guy, Anthony J. Rickert-Epstein. First, a look at his page reveals he is a cinematographer (he was also DP on this film, that's a lot of hats for a feature). And it shows. There were some technical shots going on but usually at the cost of performance and story telling. The film plays slow, and not "slow burn", just slow. The action scenes feel forced. I felt like I was supposed to be scared or thrilled but everything was moving so slow I was usually left just watching, unengaged. There were moments that didn't fit the rest of the film. I can't say it enough: everything felt forced. It felt like they wanted us to be scared, but didn't know how to pull it off, so they just copied a lot of techniques with sound and editing and tried to make it work. And for me, it didn't.
I think it was a good first effort. Hopefully they learn from the mistakes, mostly of letting one man head three departments, and can produce more films.
Compound Fracture isn't a great movie, but it shows that this team has potential, and I look forward to seeing what they come up with next.
The story works. It offers characters with interesting drama and characterization, and a villain with a purpose. There are a few forced moments, where the emotion just shows up instead of being earned organically, but that could be in part to the directing and editing, which I will get to later. The story definitely had potential for thrills, and each character is memorable in their own way, and that is something you don't often find in indie horrors/thrillers, especially first timers like Geerlings.
The acting was weak. Muse Watson, the patriarch with dementia, often felt way over the top as he went in and out of lucidity. Sometimes it felt like dementia, sometimes if felt like he was tired and ready to go home. Tyler Mane will always feel like a giant to me, and it was hard, but not impossible, to see him as a family man. I think his strengths come from playing more fringe characters, less 'everyman'. Alex Saxon was a point of awkwardness for me. He fear noises really drew me out of the moment.
I think, even with the acting, there is potential in the film, but it all fell flat due to the direction/editing. I'm going to group those since they were done by the same guy, Anthony J. Rickert-Epstein. First, a look at his page reveals he is a cinematographer (he was also DP on this film, that's a lot of hats for a feature). And it shows. There were some technical shots going on but usually at the cost of performance and story telling. The film plays slow, and not "slow burn", just slow. The action scenes feel forced. I felt like I was supposed to be scared or thrilled but everything was moving so slow I was usually left just watching, unengaged. There were moments that didn't fit the rest of the film. I can't say it enough: everything felt forced. It felt like they wanted us to be scared, but didn't know how to pull it off, so they just copied a lot of techniques with sound and editing and tried to make it work. And for me, it didn't.
I think it was a good first effort. Hopefully they learn from the mistakes, mostly of letting one man head three departments, and can produce more films.
Compound Fracture isn't a great movie, but it shows that this team has potential, and I look forward to seeing what they come up with next.