"24" loves themselves some prequels. Including Redemption, the creative team made five of them in the latter years of the series existence. Even the aborted feature-film got itself one!
However nice they are for the fans, the prequels made especially for the show were usually mixed bags of half-realized ideas in hindsight, shameless product placements or simply redundant little vignettes. Among those charges, "Redemption" is only guilty of one or two of charges, depending on who you talk to. Either way, it's a soulful reminder of the lead character we started watching about 13 years ago, who he is now and where he's going.
As much as 24 made great action set pieces, it didn't stop the show from losing sight of the human doing the shooting. What doomed the season that Redemption proceeded is that mostly everything about Jack Bauer (Kiefer Sutherland) felt too routine, given the circumstances. He returned from two years of torture by the hands of the Chinese government with barely a scratch on him it seemed after awhile.
Early on when African embassy worker Frank Trammell (Gil Bellows) corners Bauer with the subpoena meant to jail him for the numerous instances of torture he's perpetrated in seasons past, his natural reaction is to run.
He's sacrificed almost all of his livelihood for saving the millions of hypothetical Americans he's sworn to protect, yet the last thing he rations that he wants to surrender is his freedom. This early moment plants his feet firmly onto the ground. Jack Bauer is a dedicated hero, sure, yet he's not stupid, even if self-preservation rarely occurs to the character. When does the services of a grateful nation become greedy exploitation?
Of course, it's not as simple as that. Redemption's writer Howard Gordon, moves his troubles to the background of the more pertinent problem of a growing coup by an genocidal African warlord (Tony Todd).
Yet, the rapidly unfolding coup in Sangala somehow works in what it says about Jack Bauer without really commenting on it. The series format of CTU and Jack regularly chasing down shady terrorist collaborators precluded the threats from being the vague, "Stop this or innocent people will die and/or get hurt."
And Jack shepherding Benton's (Robert Carlyle) orphans — who are also running to avoid being child soldiers — to the American Embassy for asylum gives a great sense urgency that the series, frankly, hasn't had at least since season four. It also distills the character down to his essential elements: His conscience won't allow him to run away from conflict, as much as Jack wants to. Even it costs him his freedom, which he's forced to surrender by episode's end.
As result of having only two hours of screen time, the plots feels more tightly focused than usual. The script by Howard Gordon throws around a lot of talk about America acting as moral authority, especially by President-Elect Allison Taylor (Cherry Jones), to prevent reprehensible acts by monstrous people. That line of logic doesn't work in reality, yet within the shows context, it fits right in its mission statement.
Jonas Hodges (Jon Voight), the shady businessman funding the African uprising for-now unknown reasons, is real monster of the film. By the end, the democratic state of Sangala has fallen, leaving thousands left behind to become cannon fodder, as in the case of the child soldiers, or victims of genocide, as with everyone else.
Of course, this being "24," it features things that DO NOT work under any circumstances. The writers never properly determined how to provide actor's with definition to play weak- willed people, which befalls actor Kris Lemche who plays an unfortunate former addict and broker (See what I mean?) that uncovers Hodges plot.
At it's best, this show finds meaning in the chaos whenever it allows our heroes to lose a few rounds to the terrorists they're combating. With Redemption, the good guys lose a round to Hodges, whose not only kills Lemche, but also plots to eliminate the soon-to-be First Son.
Things don't look good for everyone as the film wraps up, yet with people like Jack Bauer and President Allison Taylor in the world, "hope has a fighting chance," to quote the tagline.
However nice they are for the fans, the prequels made especially for the show were usually mixed bags of half-realized ideas in hindsight, shameless product placements or simply redundant little vignettes. Among those charges, "Redemption" is only guilty of one or two of charges, depending on who you talk to. Either way, it's a soulful reminder of the lead character we started watching about 13 years ago, who he is now and where he's going.
As much as 24 made great action set pieces, it didn't stop the show from losing sight of the human doing the shooting. What doomed the season that Redemption proceeded is that mostly everything about Jack Bauer (Kiefer Sutherland) felt too routine, given the circumstances. He returned from two years of torture by the hands of the Chinese government with barely a scratch on him it seemed after awhile.
Early on when African embassy worker Frank Trammell (Gil Bellows) corners Bauer with the subpoena meant to jail him for the numerous instances of torture he's perpetrated in seasons past, his natural reaction is to run.
He's sacrificed almost all of his livelihood for saving the millions of hypothetical Americans he's sworn to protect, yet the last thing he rations that he wants to surrender is his freedom. This early moment plants his feet firmly onto the ground. Jack Bauer is a dedicated hero, sure, yet he's not stupid, even if self-preservation rarely occurs to the character. When does the services of a grateful nation become greedy exploitation?
Of course, it's not as simple as that. Redemption's writer Howard Gordon, moves his troubles to the background of the more pertinent problem of a growing coup by an genocidal African warlord (Tony Todd).
Yet, the rapidly unfolding coup in Sangala somehow works in what it says about Jack Bauer without really commenting on it. The series format of CTU and Jack regularly chasing down shady terrorist collaborators precluded the threats from being the vague, "Stop this or innocent people will die and/or get hurt."
And Jack shepherding Benton's (Robert Carlyle) orphans — who are also running to avoid being child soldiers — to the American Embassy for asylum gives a great sense urgency that the series, frankly, hasn't had at least since season four. It also distills the character down to his essential elements: His conscience won't allow him to run away from conflict, as much as Jack wants to. Even it costs him his freedom, which he's forced to surrender by episode's end.
As result of having only two hours of screen time, the plots feels more tightly focused than usual. The script by Howard Gordon throws around a lot of talk about America acting as moral authority, especially by President-Elect Allison Taylor (Cherry Jones), to prevent reprehensible acts by monstrous people. That line of logic doesn't work in reality, yet within the shows context, it fits right in its mission statement.
Jonas Hodges (Jon Voight), the shady businessman funding the African uprising for-now unknown reasons, is real monster of the film. By the end, the democratic state of Sangala has fallen, leaving thousands left behind to become cannon fodder, as in the case of the child soldiers, or victims of genocide, as with everyone else.
Of course, this being "24," it features things that DO NOT work under any circumstances. The writers never properly determined how to provide actor's with definition to play weak- willed people, which befalls actor Kris Lemche who plays an unfortunate former addict and broker (See what I mean?) that uncovers Hodges plot.
At it's best, this show finds meaning in the chaos whenever it allows our heroes to lose a few rounds to the terrorists they're combating. With Redemption, the good guys lose a round to Hodges, whose not only kills Lemche, but also plots to eliminate the soon-to-be First Son.
Things don't look good for everyone as the film wraps up, yet with people like Jack Bauer and President Allison Taylor in the world, "hope has a fighting chance," to quote the tagline.