30 years down the road, James Cameron's "The Terminator" remains an enthralling science fiction thriller, perhaps now more relevant than ever. By now nearly everyone would have heard about how Cameron miraculously made such an excellent film on a miniscule US$6 million budget or so, or perhaps how the eponymous character turned bodybuilder- cum-actor Arnold Schwarzenegger into literally Hollywood's next big thing. It is a testament to Cameron's genius into crafting his unique vision despite and because of his budget limitations, and perfectly casting his stars to suit said vision.
We all know the drill by now, so let's talk quality. Linda Hamilton portrays Sarah so well as a normal young woman, confused by this sudden chain of events, that she has logically no choice but to buy into Reese's story. Michael Biehn fits Reese to a T with a gruff yet youthful look, a perfect look for a determined soldier fighting a war he wants to end badly, despite his limitations. Though it's under a relatively short amount of time, Cameron takes his time for the audience to really get to understand both Sarah and Reese's predicaments – to have characters to root and care for, to see them find a way out despite the odds. And a romantic twist is added by Cameron that surprisingly doesn't feel forced, yet somehow perfectly (and ironically) completes the time travel loop that secures John's existence. We're dealing with a romance that transcends both time and space, and Cameron handles it so well, he would revisit these romantic traits with greater detail in his future megalith "Titanic".
What makes the film work more than it should is Cameron's genius in casting Schwarzenegger as The Terminator. A former Mr. Olympian, Schwarzenegger is renowned for his sculpted body – straight out of a Greek stone garden – more than his acting prowess. No matter, his manner of speaking less, and frighteningly intimidating stare clearly unnerve the hell out of audiences, and they still do today. Say what you will about Schwarzenegger's career as an action icon/live-action meme, the man still has a stare that can kill. His strong, iconic Austrian accent works wonders with the machine-like delivery that Cameron was intending. With Schwarzenegger's casting, the stakes are higher for both Sarah and Reese to escape this monstrosity.
Because time-travel is involved and explained in an easily digestible way (physics be damned), and because Cameron directs with such efficiency and confidence it might as well be made today, the film has aged exceptionally well despite some cornball stop-motion effects that show off its low budget – all due praise to the late Stan Winston though for his remarkable, if not grotesque, make-up effects and design that add to the sheer horror aspect of the film. It is a testament to Cameron's genius that he has managed to combine great talent both in front of and behind the camera, into creating one of the seminal and memorable films of the '80s decade, and one that will spawn a successful sci-fi franchise with a dedicated fanbase. Make no mistake that the basic framework of "The Terminator" essentially represents a B-movie at its surface (Cameron did tutor under B-legend Roger Corman, after all), but Cameron pulls off more tricks up his sleeve. There is a lean, mean atmosphere that permeates each scene throughout, making 1984 Los Angeles seem like a lurid fever nightmare, but that's secondary compared to the hellish, poverty-stricken future he has envisioned for us humans. Brad Fiedel's metallic, iconic score seeps through every alley and night- painted street with a sense of dread and gloom, the synthesized, electronic score complementing Adam Greenberg's cyan-tinted, industrial cinematography to make it feel all the more nightmarish.
Most people back than would have balked or be amazed at a wireless internet connection for everyday use, as if we are surrendering our will to technology for it to take over our lives. And I'm seeing it being endorsed in many a commercial or article. Is the development of technology a bad thing? Not at all. But a good servant can be a bad master, especially if left out of control. Cameron had a fear of that, saw the vision, and ran with it all the way. If we were to leave our household chores to artificial intelligence, or the military leaving unmanned drones to scour the battlefield, what's there to say that eventually artificial intelligence would be used to secure nuclear weapons? Or that they might even become sentient - Cleverbot and Siri may be precursors to Skynet, and Japanese technology is developing robotic humanoids that can deduce for themselves in the near future. The war shown in the film may take place in 2029, but Judgment Day can still happen. Better never than late, I say.
"The Terminator" may be surpassed by its immediate successor in terms of scale and action sequences, but this is a leaner, meaner film, and its initial allegory remains superior and more clear-cut; in the realms of science fiction it remains unmatched, as a bleak reminder of the future and technology gone wrong, perfectly represented by its unstoppable, merciless eponymous monster of a character, but also that of humanity's undying spirit to create their own fates. Cameron might have come a long way since then, having helmed two of the most expensive and highest- grossing films in history back-to-back with some truly groundbreaking visual effects technology implemented in both, but this only highlights his original, cautionary vision for the future, one that we are all far too willing to embrace wholeheartedly.
We all know the drill by now, so let's talk quality. Linda Hamilton portrays Sarah so well as a normal young woman, confused by this sudden chain of events, that she has logically no choice but to buy into Reese's story. Michael Biehn fits Reese to a T with a gruff yet youthful look, a perfect look for a determined soldier fighting a war he wants to end badly, despite his limitations. Though it's under a relatively short amount of time, Cameron takes his time for the audience to really get to understand both Sarah and Reese's predicaments – to have characters to root and care for, to see them find a way out despite the odds. And a romantic twist is added by Cameron that surprisingly doesn't feel forced, yet somehow perfectly (and ironically) completes the time travel loop that secures John's existence. We're dealing with a romance that transcends both time and space, and Cameron handles it so well, he would revisit these romantic traits with greater detail in his future megalith "Titanic".
What makes the film work more than it should is Cameron's genius in casting Schwarzenegger as The Terminator. A former Mr. Olympian, Schwarzenegger is renowned for his sculpted body – straight out of a Greek stone garden – more than his acting prowess. No matter, his manner of speaking less, and frighteningly intimidating stare clearly unnerve the hell out of audiences, and they still do today. Say what you will about Schwarzenegger's career as an action icon/live-action meme, the man still has a stare that can kill. His strong, iconic Austrian accent works wonders with the machine-like delivery that Cameron was intending. With Schwarzenegger's casting, the stakes are higher for both Sarah and Reese to escape this monstrosity.
Because time-travel is involved and explained in an easily digestible way (physics be damned), and because Cameron directs with such efficiency and confidence it might as well be made today, the film has aged exceptionally well despite some cornball stop-motion effects that show off its low budget – all due praise to the late Stan Winston though for his remarkable, if not grotesque, make-up effects and design that add to the sheer horror aspect of the film. It is a testament to Cameron's genius that he has managed to combine great talent both in front of and behind the camera, into creating one of the seminal and memorable films of the '80s decade, and one that will spawn a successful sci-fi franchise with a dedicated fanbase. Make no mistake that the basic framework of "The Terminator" essentially represents a B-movie at its surface (Cameron did tutor under B-legend Roger Corman, after all), but Cameron pulls off more tricks up his sleeve. There is a lean, mean atmosphere that permeates each scene throughout, making 1984 Los Angeles seem like a lurid fever nightmare, but that's secondary compared to the hellish, poverty-stricken future he has envisioned for us humans. Brad Fiedel's metallic, iconic score seeps through every alley and night- painted street with a sense of dread and gloom, the synthesized, electronic score complementing Adam Greenberg's cyan-tinted, industrial cinematography to make it feel all the more nightmarish.
Most people back than would have balked or be amazed at a wireless internet connection for everyday use, as if we are surrendering our will to technology for it to take over our lives. And I'm seeing it being endorsed in many a commercial or article. Is the development of technology a bad thing? Not at all. But a good servant can be a bad master, especially if left out of control. Cameron had a fear of that, saw the vision, and ran with it all the way. If we were to leave our household chores to artificial intelligence, or the military leaving unmanned drones to scour the battlefield, what's there to say that eventually artificial intelligence would be used to secure nuclear weapons? Or that they might even become sentient - Cleverbot and Siri may be precursors to Skynet, and Japanese technology is developing robotic humanoids that can deduce for themselves in the near future. The war shown in the film may take place in 2029, but Judgment Day can still happen. Better never than late, I say.
"The Terminator" may be surpassed by its immediate successor in terms of scale and action sequences, but this is a leaner, meaner film, and its initial allegory remains superior and more clear-cut; in the realms of science fiction it remains unmatched, as a bleak reminder of the future and technology gone wrong, perfectly represented by its unstoppable, merciless eponymous monster of a character, but also that of humanity's undying spirit to create their own fates. Cameron might have come a long way since then, having helmed two of the most expensive and highest- grossing films in history back-to-back with some truly groundbreaking visual effects technology implemented in both, but this only highlights his original, cautionary vision for the future, one that we are all far too willing to embrace wholeheartedly.