"Genre guru" Ulli Lommel directs this horror film about the infamous Zodiac killer. Though decades have passed since the multiple murderer held the state of California hostage with fear, the mystery of his identity has never been solved.
Typically the number 3566 does not signify any special landmark. However, as this is the 3,566th review I have written, it is an honor (albeit a dubious one) that I can finally designate a film the worst film ever made. Without hyperbole or exaggeration, this is truly the worst film ever constructed. No surprise it comes from Ulli Lommel (who wrote, directed, produced, scored and shot it). His catalog of films is pretty terrible, top to bottom.
The film is so bad I hardly feel the need to justify my saying it is bad. The acting? Meh. The camera work? Dizzying and atrocious. Five minutes into this and ritual seppuku seemed like a good idea. The previous contender for worst film ever, "Hell's Threshold", now seems rather tame and fun.
If there is anything nice to say, it seems that Lommel made a solid effort in trying to make the film look like it was shot in San Francisco. I mean, you know, throw in a gratuitous stock image of the Golden Gate Bridge every few minutes and where else could you be?
Typically the number 3566 does not signify any special landmark. However, as this is the 3,566th review I have written, it is an honor (albeit a dubious one) that I can finally designate a film the worst film ever made. Without hyperbole or exaggeration, this is truly the worst film ever constructed. No surprise it comes from Ulli Lommel (who wrote, directed, produced, scored and shot it). His catalog of films is pretty terrible, top to bottom.
The film is so bad I hardly feel the need to justify my saying it is bad. The acting? Meh. The camera work? Dizzying and atrocious. Five minutes into this and ritual seppuku seemed like a good idea. The previous contender for worst film ever, "Hell's Threshold", now seems rather tame and fun.
If there is anything nice to say, it seems that Lommel made a solid effort in trying to make the film look like it was shot in San Francisco. I mean, you know, throw in a gratuitous stock image of the Golden Gate Bridge every few minutes and where else could you be?