From Welles to De Niro to Hanks to Bale, Hollywood has a history of actors going through extreme body transformations. While Gyllenhaal's intense weight loss will easily fit this trend, to only focus on that part of his commitment to Nightcrawler would be overlooking how impressively gone he is as Louis Bloom, the focus of this intense character study about an overlooked and disturbed individual. It's not a particularly "pleasant" film, and the pacing is far from quick, but the tension between Louis and his world progresses so beautifully as to pin you right to your seat. Nightcrawler is an effectively scary, uncomfortably funny, and stylishly gritty tour de force. The premise, plot and protagonist are truly unique: a sociopath becomes a freelance news-cameraman, stopping at nothing to succeed. Though his arc seems implausible, Gilroy crafts it smoothly, and Gyllenhaal's disturbed perfection make it hard NOT to believe. His unsettling bug-eyed expression and breathtakingly inappropriate smile are magnetic. Much like Scorsese's Rupert Pupkin, Bloom seems to believe he is the star of his own story: delusional, bull-headed, and respectably determined. Luckily, there is more here than just Gyllenhaal; powerful set-pieces resound, and the beautifully cool ambient guitar score is among the best of the year, complimenting Gyllenahaal's uneasy intensity. Even the camera consistently reminds us where Bloom stands in the deeply LA locale. At the heart, it's smartly calling out our propensity for praising characters for their desires, reminding us that compassionless ambition is extremely dangerous. For our fame-starved culture, Nightcrawler is a good message within a great movie with an even greater lead performance. A true don't-miss!
Review of Nightcrawler
