When Jake (Richard Tanne) is injured in a car accident, the only person willing to take care of him is his childhood friend Sam (Noah Barrow). With the aid of a tough-as-nails physical therapist (Cody Horn), Sam helps Jake recuperate, but when Sam's high school crush (Kristen Connolly) enters the picture, old habits and bitter rivalries resurface, threatening to tear their friendship apart.
While there are no A-list stars in this film, it has more than enough A-minus stars to make up the differences. Plenty of faces you will recognize, even if you are not quite sure why. The biggest name is likely Kristen Connolly, a regular on "House of Cards". And then there is Larry Fessenden, something of a living legend for writing, directing and acting in independent features.
The writer must be commended, for not only making the story interesting and humorous, but including references to "Rear Window" and "Misery", as well as (apparently) Wendell McAdams, a pinball machine creator. For reasons unknown, audiences love to pick up hints of a shared reference.
While the first half of the film deserves a 7, it ultimately gets only a 6 because of the rest of the film. For as great as it starts, and as humorous as it is, it becomes rather serious as the story progresses. Now, of course, there is some moral to the story that must be told, but it comes at the cost of viewing enjoyment. Still a worthwhile film, overall, and one that should do well.
While there are no A-list stars in this film, it has more than enough A-minus stars to make up the differences. Plenty of faces you will recognize, even if you are not quite sure why. The biggest name is likely Kristen Connolly, a regular on "House of Cards". And then there is Larry Fessenden, something of a living legend for writing, directing and acting in independent features.
The writer must be commended, for not only making the story interesting and humorous, but including references to "Rear Window" and "Misery", as well as (apparently) Wendell McAdams, a pinball machine creator. For reasons unknown, audiences love to pick up hints of a shared reference.
While the first half of the film deserves a 7, it ultimately gets only a 6 because of the rest of the film. For as great as it starts, and as humorous as it is, it becomes rather serious as the story progresses. Now, of course, there is some moral to the story that must be told, but it comes at the cost of viewing enjoyment. Still a worthwhile film, overall, and one that should do well.