Technically there is much to complain about in this film, which unfortunately mobilized all prejudices against it, which is a pity, because it's a great story, the actors are all superb, especially the old ones (Edward G. Robinson, Robert Morley and Harry Secombe as a perfectly convincing Björnstjerne Björnson), while Frank Poretta is number one as Rikard Nordraak, and it's really his story and tragedy that is being told. The music is all Grieg, his piano concerto dominates the whole film in various arrangements in both songs and ballets, and the dance sequences are all gorgeous, often with children, always in local costumes. It is very Norwegian in style, almost flippant in outbursts of great energetic humor and towering enthusiasm, which at times is difficult to follow in its high spirits and acrobatics, but above all the settings make this film something to return to at times with renewed pleasure, in spite of the overwhelming tragedy it recounts, - which, it should be pointed out, is a true story. I have seen it now 3 times found it better every time.