After the somewhat disappointing 'August Underground's Mordum', which often went beyond believability in an attempt to do outdo its predecessor, the team at ToeTag have delivered what must be one of the most nauseating, realistically disgusting and vile pieces of filth that I have ever witnessed. The film is an 84 minute catalogue of extreme depravity, sexual violence, torture and dismemberment, and hardly a minute went by where I didn't feel revulsed by what I was watching (and more than just a little bit sordid). But, of course, director Fred Vogel doesn't want viewers to enjoy Penance; he wants them to endure it, which means that the third and final movie in the August Underground series can only be hailed as a success!
The aim of Penance is to make damn sure that anyone watching it sees murder as it truly is: an ugly act that is nasty, messy and totally repugnant. Viewers are made to feel sickened by what they witness. Vogel's on-screen killers, a couple of psychos (played by the director himself and Mordum's Cristie Whiles) who enjoy nothing more than inflicting pain and suffering on complete strangers, are neither glamourised or exaggerated, nor are they portrayed as anti-heroes; they're shown to be real people—albeit bloody scary ones who would be perfectly happy to remove your head from your shoulders without giving it a second thought.
Once again, the film consists of random video footage shot by the twisted twosome as they go about their day-to-day business, attacking the homeless, going to rock gigs, indulging in drugs and, of course, raping and killing innocent people. This time, however, the quality is not that of a degraded VHS tape (as in the previous two AU films), but digital (and in widescreen), meaning that the viewer gets to see every last sickening detail.
And what sights they have to show us: Vogel's character wrestles with entrails whilst trying to disembowel a corpse, removes a foetus from a pregnant victim, and (unsuccessfully) tries to rape a woman after having smashed her husband over the head with a hammer; Whiles's soulless bitch slowly squeezes the life out of a child, gleefully hacks up a deer (which is later fed to the scariest lion in existence), and also indulges in her fair share of vicious torture and bloody dismemberment. Every last second of each hideous act is unflinchingly captured by the roving camera, and watching without wincing is not an easy trick. The gruesome effects are top notch and praise must be given to effects man Jerami Cruise for successfully turning my (usually cast-iron) stomach several times.
With the OTT approach of the second film replaced by the more realistic feel of the first, Penance is a satisfactory end to a unique and very unsettling series of films. I now hope that Vogel leaves the 'pseudo-snuff' genre well alone and turns his attention to making the zombie film that he has mentioned in the past.
As with the other AU movies, I find it a hard film to rate. It's not 'enjoyable', and at times it plods (the first twenty minutes are pretty uneventful), but it's a powerful work that you just cannot ignore, and for that reason Penance gets 7.5 out of 10 (rounded up to 8 for IMDb).
The aim of Penance is to make damn sure that anyone watching it sees murder as it truly is: an ugly act that is nasty, messy and totally repugnant. Viewers are made to feel sickened by what they witness. Vogel's on-screen killers, a couple of psychos (played by the director himself and Mordum's Cristie Whiles) who enjoy nothing more than inflicting pain and suffering on complete strangers, are neither glamourised or exaggerated, nor are they portrayed as anti-heroes; they're shown to be real people—albeit bloody scary ones who would be perfectly happy to remove your head from your shoulders without giving it a second thought.
Once again, the film consists of random video footage shot by the twisted twosome as they go about their day-to-day business, attacking the homeless, going to rock gigs, indulging in drugs and, of course, raping and killing innocent people. This time, however, the quality is not that of a degraded VHS tape (as in the previous two AU films), but digital (and in widescreen), meaning that the viewer gets to see every last sickening detail.
And what sights they have to show us: Vogel's character wrestles with entrails whilst trying to disembowel a corpse, removes a foetus from a pregnant victim, and (unsuccessfully) tries to rape a woman after having smashed her husband over the head with a hammer; Whiles's soulless bitch slowly squeezes the life out of a child, gleefully hacks up a deer (which is later fed to the scariest lion in existence), and also indulges in her fair share of vicious torture and bloody dismemberment. Every last second of each hideous act is unflinchingly captured by the roving camera, and watching without wincing is not an easy trick. The gruesome effects are top notch and praise must be given to effects man Jerami Cruise for successfully turning my (usually cast-iron) stomach several times.
With the OTT approach of the second film replaced by the more realistic feel of the first, Penance is a satisfactory end to a unique and very unsettling series of films. I now hope that Vogel leaves the 'pseudo-snuff' genre well alone and turns his attention to making the zombie film that he has mentioned in the past.
As with the other AU movies, I find it a hard film to rate. It's not 'enjoyable', and at times it plods (the first twenty minutes are pretty uneventful), but it's a powerful work that you just cannot ignore, and for that reason Penance gets 7.5 out of 10 (rounded up to 8 for IMDb).