Blinded by bio-hazardous waste as a child, Matt Murdock finds that his other senses have developed to the point where they afford him almost supernatural physical abilities. Years later, Murdock (Ben Affleck), now a pro-bono lawyer, takes on the guise of night-time vigilante Daredevil, using his powers to ensure that justice is always served. In doing so, he finds himself pitted against crime boss Kingpin (Michael Clarke Duncan), his hired hit-man Bullseye (Colin Farrell, who hams it up wonderfully in every scene), and kick-ass babe Elektra (Jennifer Garner), who mistakenly holds Daredevil responsible for the death of her father.
The recent casting of Ben Affleck as Batman has been the cause of much controversy amongst comic book fans, but judging by Daredevil, the star's previous foray into comicdom, I'm not all that concerned, this fun movie proving the actor to be more than capable in the role of superhero. Affleck acquits himself surprisingly well as both the laudable lawyer and his leather-clad alter-ego, providing the character with the necessary depth and the required physicality.
If this longer version still proves less than perfect, it is not down to Affleck, but once again due to the script and the directorial style (I guess some things just can't be fixed). With an extra thirty minutes, The Director's Cut fleshes out the characters and makes more sense of the narrative, but at the expense of the pacing; in addition, the poorly lit visuals makes some of the action hard to follow (I understand that the look and feel is intended to emulate the style of Frank Miller's comic book artwork, which makes great use of heavy shadow, but director Mark Steven Johnson takes things a step too far).
Over the last decade, Marvel have gradually honed their product to meet maximum audience approval, boosting their budgets and throwing the best special effects available onto the screen, but as one of the earliest postmillenial attempts to bring their characters to the big screen (yes Daredevil is already well over a decade old) this is still a serviceable effort, with only the occasional iffy CGI shot belying its age.
The recent casting of Ben Affleck as Batman has been the cause of much controversy amongst comic book fans, but judging by Daredevil, the star's previous foray into comicdom, I'm not all that concerned, this fun movie proving the actor to be more than capable in the role of superhero. Affleck acquits himself surprisingly well as both the laudable lawyer and his leather-clad alter-ego, providing the character with the necessary depth and the required physicality.
If this longer version still proves less than perfect, it is not down to Affleck, but once again due to the script and the directorial style (I guess some things just can't be fixed). With an extra thirty minutes, The Director's Cut fleshes out the characters and makes more sense of the narrative, but at the expense of the pacing; in addition, the poorly lit visuals makes some of the action hard to follow (I understand that the look and feel is intended to emulate the style of Frank Miller's comic book artwork, which makes great use of heavy shadow, but director Mark Steven Johnson takes things a step too far).
Over the last decade, Marvel have gradually honed their product to meet maximum audience approval, boosting their budgets and throwing the best special effects available onto the screen, but as one of the earliest postmillenial attempts to bring their characters to the big screen (yes Daredevil is already well over a decade old) this is still a serviceable effort, with only the occasional iffy CGI shot belying its age.