Our first real episode with Peter Capaldi is a nice introduction to him, I think. I think the episode itself is merely okay (in Victorian London, a cyborg who has taken so many human parts since its construction it is now more human than robot could be a threat to the Doctor and Clara), but it does a wonderful job, I believe, of commenting on the backlash that might have resulted in an older actor's casting of a treasured sci-fi character that had been portrayed previously by three much younger actors. Clara is (obviously, and why wouldn't she?) having a hard time adjusting to the new face (and age?) of the new Doctor that has "replaced" Matt Smith. She just doesn't know if she can get used to Capaldi's Doctor. I felt that this episode does a swell job of showing a "babe introduced to a new world out of the womb" in how frenetic and confused Capaldi acts to his surroundings right after his regeneration change. I think a regeneration is a traumatic event that truly changes the Doctor as he behaves, looks, and reacts differently with each transformation; it takes time (and why wouldn't it?) to adjust to such a change. So we see the Doctor gradually become more comfortable in his new skin while Clara herself must slowly embrace who this man now is. Who could expect that any companion can just brush aside the man they have become so fond of and close to for this new man with such a different face and disposition? There's a scene where it appears Capaldi leaves Clara to be killed by the lead cyborg harvesting human organs (it even kills a dinosaur that had caught the Tardis in its mouth, which stuck in its throat bringing it in time with the Doctor to Victorian London!), and she must orchestrate a means of protecting herself in dialogue with it. The banter between Doctor and companion has always been a thing of value I place on this long-lasting show. Chemistry between them can make or break the series. Sometimes casting is great and other times perhaps not so. I think the 80s was a down decade in that regard. But I think the 2000s (Piper, Gillan, and Coleman) certainly hit it out of the ballpark. Matt Smith's era was especially worthwhile in the relationships of Doctor and companion. I loved seeing how the companions became often so vital in how the Doctor succeeds against his foes, and their rapport during trouble enhances the excitement of scenes where the adversaries (and dangers that come with them) come close to vanquishing them. "Deep Breath" brings back characters seen previously in Victorian London: the lizard-alien, Madame Vastra (Neve McIntosh), her wife, Jenny (Catrin Stewart), and butler, Strax (Dan Starkey). They all help the Doctor against the lead cyborg's army of unemotional robots in form of Victorian humans in an old ship that has been disguised as a restaurant. Missy, later to be determined as the female version of The Master (an old Who adversary), has welcomed the lead cyborg to her "paradise" for "him". The Doctor kept mentioning how the cyborgs remind him of something else (cybermen?) and knowing that really is telling due to how both Missy and the cybermen later factor greatly in a key episode towards the end of this season with Capaldi's version of the "man in the blue box". Neat makeup effects for Peter Ferdinando's half-human/half-robot as half his face is human while the other half shows all the mechanics working within him/it. Smith's call to Clara from Trenzalore, appealing to her virtuous nature regarding helping Capaldi, is a sweet, emotionally potent moment that allows her closure and a renewed interest in continuing on despite the regeneration taking away the man she cared for so much.
Review of Deep Breath
