An excellently intelligent science fiction program that featured some brilliant writing, imaginative direction, high production values, and superb performances by an outstanding cast. Brent Spiner and Peter Dinklage do some wonderful characterizations and steal every scene in which they appear. Without them, Threshold wouldn't be nearly as interesting as it is. Charles Dutton is adequate but unfortunately overused, ubiquitous in series television and therefore rendered ineffective by repetition. The first two dozen similar characters he has played have sometimes worked but he doesn't fit into this particular ensemble. His presence is simply jarring and often downright irritating. However, it is Carla Gugino who anchors the drama and proves again what a gifted actor she is. Her interpretation of the character of Molly is nothing short of magnificent, dynamic, and fascinating. It doesn't hurt that every frame with her image is mesmerizing and she lights up the screen as few actresses can. The camera simply loves her and the directors are wise enough to let their lenses linger on her and allow her just a few seconds more than the usual time in every close-up, leaving the audience satisfied yet still craving more. There is no doubt that when she appears, the viewer can't take their eyes off her. She is intelligence, beauty, and strength personified. The charisma and magnetism of Gugino is magnified by her natural beauty and stunning eyes. She is no Emily Watson but she is still quite good. The cast has strong chemistry and their interactions, with the exception of Dutton intrusion, are the best part of the program. Overall, this is a very satisfying science fiction series that deserved to remain on the air because it had so much potential and so much more to offer viewers.
Review of Threshold
