A lonely pair of people, one in her 70's, one in his 20's, find each other in London and become a makeshift family far better than their "real" families.
It's a bit cloying and sometimes unrealistic--for instance, how someone who looks like Rupert Friend could possibly be without a girlfriend for so long as a day beggars belief, and we're supposed to believe that he has a hard time finding one. And London is awfully safe and clean, here. The hotel is, I think, supposed to be a bit seedy (at least dialog suggests so) but what is on film is glistening. That the writer sometimes has VO narration is odd--it comes so infrequently, it feels like a mistake when it arrives. And it all moves verrry. slowwww. ly.
But if you like these sorts of meandering feel-good stories, without any edge whatsoever, it is well enough done. The acting is good. There aren't many good roles for older women, and this has several. Rupert Friend is gorgeous and charming, and the scene where he sings "We May Never Meet Again" to her is a moving emotional climax and worth waiting through the slower points before (though if you're a of a certain mindset about music, you may not like the jazz spin he puts on it.) Her date with the older fellow is quite funny, too, and puts some interest into a sluggish part of the film.
It's a bit cloying and sometimes unrealistic--for instance, how someone who looks like Rupert Friend could possibly be without a girlfriend for so long as a day beggars belief, and we're supposed to believe that he has a hard time finding one. And London is awfully safe and clean, here. The hotel is, I think, supposed to be a bit seedy (at least dialog suggests so) but what is on film is glistening. That the writer sometimes has VO narration is odd--it comes so infrequently, it feels like a mistake when it arrives. And it all moves verrry. slowwww. ly.
But if you like these sorts of meandering feel-good stories, without any edge whatsoever, it is well enough done. The acting is good. There aren't many good roles for older women, and this has several. Rupert Friend is gorgeous and charming, and the scene where he sings "We May Never Meet Again" to her is a moving emotional climax and worth waiting through the slower points before (though if you're a of a certain mindset about music, you may not like the jazz spin he puts on it.) Her date with the older fellow is quite funny, too, and puts some interest into a sluggish part of the film.