I'm surprised by the bad reviews on IMDb. I think the problem is that a film titled "The Assassin" happens to attract a certain type of audience--people who are only interested in martial arts flicks, or who walk in expecting an action-packed adrenaline ride. You might be disappointed in this film, but I don't think this movie was meant for you.
A previous review mentioned the "depressed, stilted tones" of the actors.
I don't know what you were expecting ... an assassin during the Tang Dynasty to burst out into song about her inner anguish and emotional turmoil? I watched an interview with Hou Hsiao-hsien, the director who won the prestigious Best Director award at Cannes for this very film. He used a tennis analogy to explain it perfectly, so I'm just going to paraphrase below:
"If you watch the tennis greats like Federer or Nadal battling it out, there's not much expression on their faces. The speed that they're going at, the power in each exchange, there's no room for emotions."
The director, Hou, actually instructed Shu Qi (The Assassin) to tone down her expressions. The crew filmed the fight sequences again, and again, and again, until the actors were all bruised up and the fight flowed naturally, by instinct. By this point, there was really no need for dialogue or excessive expressions.
If you're an assassin fighting for your life, kill or be killed, are you really going to be thinking "let me get my blue steel pout ready for the camera"?
If you can get over the need for overly dramatic expositions and go into a film knowing the main character only has approximately nine spoken lines, and if you can enjoy a film for how starkly beautiful it is.... this might be the film for you.
A previous review mentioned the "depressed, stilted tones" of the actors.
I don't know what you were expecting ... an assassin during the Tang Dynasty to burst out into song about her inner anguish and emotional turmoil? I watched an interview with Hou Hsiao-hsien, the director who won the prestigious Best Director award at Cannes for this very film. He used a tennis analogy to explain it perfectly, so I'm just going to paraphrase below:
"If you watch the tennis greats like Federer or Nadal battling it out, there's not much expression on their faces. The speed that they're going at, the power in each exchange, there's no room for emotions."
The director, Hou, actually instructed Shu Qi (The Assassin) to tone down her expressions. The crew filmed the fight sequences again, and again, and again, until the actors were all bruised up and the fight flowed naturally, by instinct. By this point, there was really no need for dialogue or excessive expressions.
If you're an assassin fighting for your life, kill or be killed, are you really going to be thinking "let me get my blue steel pout ready for the camera"?
If you can get over the need for overly dramatic expositions and go into a film knowing the main character only has approximately nine spoken lines, and if you can enjoy a film for how starkly beautiful it is.... this might be the film for you.