For forty years now, Andre Techine has made films that have delighted me (Les roseaux sauvages, Les voleurs) or annoyed me (Le lieu du crime, Rendez-vous). He seems to be on safe ground when he deals with homosexuality, the need for family ties, and beautiful surroundings (here he can film Venice in all its splendour). He flounders when dealing with straight relationships: what is going on between Dussolier and Bouquet, anyway?-- they seem to be in different films.
Carole Bouquet is so splendid to look at that I can forgive almost any deficiency in the script in order to drink in that lovely face. Adriana Asti (Gina in Before the Revolution, the film that moved me more than any other) has the best line: "You turn everybody on but nobody turns you on!" It's so true, you admit ruefully. Melanie Thierry has a small part as Dussolier's daughter and leaves a good impression.
Carole Bouquet is so splendid to look at that I can forgive almost any deficiency in the script in order to drink in that lovely face. Adriana Asti (Gina in Before the Revolution, the film that moved me more than any other) has the best line: "You turn everybody on but nobody turns you on!" It's so true, you admit ruefully. Melanie Thierry has a small part as Dussolier's daughter and leaves a good impression.