Caryl Chessman, in 1960, was one of the last Americans executed for crimes other than murder. While on death row, he wrote a celebrated book and became the face of the anti-death penalty movement.
Alan Alda strikes a convincing note as the cocky Caryl Chessman, convicted and sentenced to death in a string of crimes known as the Red Light Bandit attacks. The movie's creators, however, cheat a bit by making Chessman a little too sympathetic. Alda throws a chair across a room to show his frustration in one scene, but the film stops short of showing just how confrontational and difficult to like Chessman was in real life. Chessman was a brilliant writer, but anyone carefully reading his books sees a fundamentally dishonest and manipulative sociopath behind the clever prose. He proclaims his innocence of the crimes, yet never bothers to account for why their pattern so closely matches his own descriptions of his earlier exploits that landed him in Folsom Penitentiary. Had the film gone in for more of a warts and all approach to the character, it would have succeeded at being at least less dishonest than its subject.
That said, the film accurately captures its period and brings out the many details in Chessman's trial that seemed to indicate that it was something less than fair. The film tiptoes around the central issue of Chessman's guilt, portraying the Red Light Bandit crimes in flashback without showing the identity of the perpetrator. But his fight for fair treatment by the justice system, guilty or not, makes for strong cinema. This movie is definitely worth a watch, however one might view its protagonist's guilt.
Alan Alda strikes a convincing note as the cocky Caryl Chessman, convicted and sentenced to death in a string of crimes known as the Red Light Bandit attacks. The movie's creators, however, cheat a bit by making Chessman a little too sympathetic. Alda throws a chair across a room to show his frustration in one scene, but the film stops short of showing just how confrontational and difficult to like Chessman was in real life. Chessman was a brilliant writer, but anyone carefully reading his books sees a fundamentally dishonest and manipulative sociopath behind the clever prose. He proclaims his innocence of the crimes, yet never bothers to account for why their pattern so closely matches his own descriptions of his earlier exploits that landed him in Folsom Penitentiary. Had the film gone in for more of a warts and all approach to the character, it would have succeeded at being at least less dishonest than its subject.
That said, the film accurately captures its period and brings out the many details in Chessman's trial that seemed to indicate that it was something less than fair. The film tiptoes around the central issue of Chessman's guilt, portraying the Red Light Bandit crimes in flashback without showing the identity of the perpetrator. But his fight for fair treatment by the justice system, guilty or not, makes for strong cinema. This movie is definitely worth a watch, however one might view its protagonist's guilt.