6/10
Life is a masquerade
4 April 2016
Five Miles To Midnight is another of those Alfred Hitchcock type films that could have been a classic had he decided to do them. I think he was busy with The Birds when this came out.

Sophia Loren is the star both in billing and performance. She's married to former American GI Anthony Perkins and it's an abusive relationship. Perkins has to take a flight to Casablanca, but the plane crashes near Bordeaux and miracle of miracles he survives but is not found.

What a golden opportunity for a little insurance fraud. And a battered Sophia goes along with it. The rest of the film is the masquerade that Loren plays as she pretends he's dead like everyone suspects and what she endures with an increasingly unbalanced Perkins.

When Sophia Loren won her Oscar for Two Women she showed her acting chops and this film also has a lot more to do with Sophia the actress than Sophia the sex symbol. As for Anthony Perkins he started out playing callow youths with issues. After Psycho he started out playing far more deranged characters with issues although his character here is descending into a bit of madness unlike Norman Bates who was one fully formed whack job.

Other men in Sophia's life are Gig Young and Jean-Pierre Aumont. Won't give any ending away because in the end we don't know what's to become of the main characters most especially Sophia Loren.
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