"Days of Future Past", the previous X-Men entry, had visions of a stark post- apocalyptic future ala Terminator, and now comes "Apocalypse", taking cues from eschatological lore with its titular megavillain threatening to destroy all to achieve his own vision of grandeur, forcing the X-Men to unite as one to stop this fallen god. It's pretty darn good.
Do not be fooled by its comic-book brand; this is a biblical quasi-disaster film disguised as a superhero film, chock full of thrilling action and urgent, no- nonsense heroics, something that is sorely lacking in most superhero films today (I'm looking at you, BvS and Civil War). Both movies lack the human touch that Singer has given ever-so generously in his films, making the X-Men grounded and human while blossoming with their gifts. The stark difference between this film and Civil War/the DCU shows during one particularly harrowing scene involving Fassbender's Magneto in a Polish forest, which elevates this into a real film with real characters. The humor seems natural, too, save for another scene of fine trolling involving audience favorite Quicksilver that is all too similar to his scene in the previous film.
Still, despite a script that offers nothing new to the table, hats off to director Bryan Singer, proving himself yet again as the golden goose of the franchise, for delivering the superhero goods with balanced, kinda old-fashioned storytelling and a plethora of fine performances from all cast members, especially Oscar Isaac as its titular villainous anti-Messiah. It's very operatic, overtly theatrical without being hammy, and it contrasts nicely with the rest of the grounded characters, truly fitting for a villain named "Apocalypse."
Do not be fooled by its comic-book brand; this is a biblical quasi-disaster film disguised as a superhero film, chock full of thrilling action and urgent, no- nonsense heroics, something that is sorely lacking in most superhero films today (I'm looking at you, BvS and Civil War). Both movies lack the human touch that Singer has given ever-so generously in his films, making the X-Men grounded and human while blossoming with their gifts. The stark difference between this film and Civil War/the DCU shows during one particularly harrowing scene involving Fassbender's Magneto in a Polish forest, which elevates this into a real film with real characters. The humor seems natural, too, save for another scene of fine trolling involving audience favorite Quicksilver that is all too similar to his scene in the previous film.
Still, despite a script that offers nothing new to the table, hats off to director Bryan Singer, proving himself yet again as the golden goose of the franchise, for delivering the superhero goods with balanced, kinda old-fashioned storytelling and a plethora of fine performances from all cast members, especially Oscar Isaac as its titular villainous anti-Messiah. It's very operatic, overtly theatrical without being hammy, and it contrasts nicely with the rest of the grounded characters, truly fitting for a villain named "Apocalypse."