Chaotic to a fault, this journey return to Underland has manic, trippy and inventive visuals with a simple yet busy story, while managing to overcome its' own flaws
29 May 2016
I have been hesitant about this movie since it was announced. After the mixed reception the first one got (even though I quite liked it), it's unlikely for me to be hyped for this sequel. Based on the negative reception this one got, I'm more reluctant to watch it. But, I gave it a chance, and it turns out better than I initially expect it to be.

Set a year later after "Alice in Wonderland", Alice Kingsley now becomes a captain of her father's ship. After an incident with pirates, she returns to London, only to find out that her father's ship will be sold by her mother to her once soon-to-be fianceé Lord Hamish or she'll lose her own home. Soon after, Alice thrusts herself back into Underland, with the Mad Hatter (Johnny Depp) being unwell and needing her help by going back through time while racing against Time (Sasha Baron Cohen) itself.

I think I'm in the minority here who thinks this movie is great. It seems like there's so much going on when actually it's really simple to follow. As I thought it was going to be incoherent, it flows along nicely. There's a sense of union in it's theme, with the importance of family as one of them, including a timeless message that you can't change the past but learn from it.

Every character from its' predecessor returns with a few additional ones. I love the fact that they give a few characters their backstories, like the Mad Hatter's family to the rivalries between the Red Queen and the White Queen.

Mia Wasikowska turns out better as Alice here than the first one, who was a bit dull and uncharismatic. In here, she's livelier. Speaking of lively, the special effects and production designs are spectacular. It's sort of trippy, gorgeous and thrilling at the same time, including a scene in the climax that's bursting with manic energy. I have to say, it's one of Disney's best efforts in making visually inventive images.

Alas, there are some flaws that I can't ignore, beginning with the screenplay. This isn't one of Linda Woolverton's best efforts. Mia Wasikowska did her best effort as Alice. The side characters weren't fully developed and a bit too two-dimensional, with the exception of Helena Bonham Carter, reprising her role as the Red Queen and Sasha Baron Cohen as Time, who gives a bit subtlety to his role. They both managed to elevate the material a bit, while the others fade into the background. Some of the lines were too simplistic and forced. There's one scene in the middle which I won't spoil, that drags the movie a bit. You'll know it when you see it.

That being said, it doesn't detract anything from the viewing pleasure. For those who say it's boring and doesn't have a sense of magic or wonder, I really have to disagree. At times, it's quite touching and deep. It's not as audacious as its' predecessor and even though it's not very original, they twisted it into their own unique vision, giving its' own originality. It does have its' own flaws, but I think it managed to overcome it. I can't really compare and say it's better than the first one, only at some areas (the first one has it's own weird scene where Johnny Depp is break-dancing, which is quite off-putting). I would give it more stars if it fixed the screenplay. Yet, I enjoyed it.

Note: This is Alan Rickman's final role as Absolem the Catterpillar. He will certainly be missed.
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