Good murder mystery noir from Denmark showing at NYC's IFC Center for just one week, and a picture that deserves more exposure than that. It is a tense detective story of a 'cold case', a double murder 20 years old taken up by Danish Detectives Morck and Assad. I am a great fan of top shelf detective films, and film noir in particular, and this one is surprisingly well done.
Nutshell; a brother and sister were murdered 20 years previous and the crimes were unsolved. Their father, a retired cop, approaches Morck and pleads with him to renew the case. Morck dusts him off, saying he is too busy. The father then turns up as a suicide, which leads Morck to regret his cavalier treatment of the father and decides to investigate. His subsequent investigation takes a sordid turn and becomes darker as the story unfolds.
There are three movies in the Det. Morck series, and I wish I could have stayed for all three. It is remarkably well done and bears all the hallmarks of Hollywood noir films. Morck is a no-nonsense detective who smokes and is hard-drinking and with a clear-headed assistant who tries to be a counter balance. Morck is moody and obsessive and will break the rules in the name of truth and justice, and the chemistry between the two is a tribute to their acting and to the screenplay. The movie scene needs more of this type of grown up fare as many of us have tired of the usual sequel to a dull film and of animated cartoon movies for 6 year olds. While Indies like this are produced perhaps there is still hope for a foundering art form.
Nutshell; a brother and sister were murdered 20 years previous and the crimes were unsolved. Their father, a retired cop, approaches Morck and pleads with him to renew the case. Morck dusts him off, saying he is too busy. The father then turns up as a suicide, which leads Morck to regret his cavalier treatment of the father and decides to investigate. His subsequent investigation takes a sordid turn and becomes darker as the story unfolds.
There are three movies in the Det. Morck series, and I wish I could have stayed for all three. It is remarkably well done and bears all the hallmarks of Hollywood noir films. Morck is a no-nonsense detective who smokes and is hard-drinking and with a clear-headed assistant who tries to be a counter balance. Morck is moody and obsessive and will break the rules in the name of truth and justice, and the chemistry between the two is a tribute to their acting and to the screenplay. The movie scene needs more of this type of grown up fare as many of us have tired of the usual sequel to a dull film and of animated cartoon movies for 6 year olds. While Indies like this are produced perhaps there is still hope for a foundering art form.