Notable B-Movie Director Phil Karlson Helmed this Above Average Early Fifties, Low-Budget Western with Little Style but its Social Concerns Rode the "New" Esthetic that Shined a much needed Light on Bigotry. There are some Corny Side-Elements to be sure, but the Aforementioned Elevate this one to Respectability.
The Plot is all about a Military Doctor (Robert Francis) and His Treatment of Indians and viewed Them as, God Forbid, Equal People as seen from the Eyes of a "Medicine Man".
Donna Reed is Awkward as a Centerpiece of the Soldiers Attention (one proposes to Her on sight), but the rest of the Cast do Yeoman's Work and it is left to Francis to Carry the Movie. He is Adequate, but the Strength is the Story and its Ramifications about the Mistreatment of a Defeated People thrown in the Trash Bin of History, until Recently.
There are some Wild and Wooly Battles that Punctuate now and then for the Action Oriented Crowd that could give a Hoot about Empathy and Inclusion of a whole Race of People that Desired Respect that was Initially Withheld.
The Plot is all about a Military Doctor (Robert Francis) and His Treatment of Indians and viewed Them as, God Forbid, Equal People as seen from the Eyes of a "Medicine Man".
Donna Reed is Awkward as a Centerpiece of the Soldiers Attention (one proposes to Her on sight), but the rest of the Cast do Yeoman's Work and it is left to Francis to Carry the Movie. He is Adequate, but the Strength is the Story and its Ramifications about the Mistreatment of a Defeated People thrown in the Trash Bin of History, until Recently.
There are some Wild and Wooly Battles that Punctuate now and then for the Action Oriented Crowd that could give a Hoot about Empathy and Inclusion of a whole Race of People that Desired Respect that was Initially Withheld.