Anthony Trollope's 'The Way We Live Now' is a masterful, though long, book, with many richly drawn complex characters, the stories of the characters fully developed and fascinating, delicious satire and having much to say on various topical matters.
Taking this mini-series as an adaptation, it is not hard to see why it would disappoint. It's very condensed and also exaggerated, and it's also not as rich with not quite enough of the topical matters of the time explored in depth. The characters are still interesting (characters driven by greed preparing for a heavy hall which happens) and entertaining and the story fully absorbing with the subplots nicely fleshed out, just that it pales in comparison to the book.
In all honesty however, because of being so heavy and rich in detail and for its length, the book is very difficult to adapt (almost as difficult to adapt as Stephen King, Fyodor Dostoevsky and Leo Tolstoy) and, regardless of how disappointing it is in comparison, the 'The Way We Live Now' mini-series does laudably and is a solid and even very good to great mini-series on its own.
Of course there are things that stop it from living up to its even stronger potential, and forgive me if the flaws that have been covered in previous reviews are repeated (or shall we say somewhat parroted). Those flaws are the ending and two miscasts, while the many strengths far outweigh them they are big and jarring enough to not ignore. The ending is rushed and doesn't feel that well rounded off.
Cillian Murphy has shown considerable talent over the years, but here he's too delicate-looking, too young and rather effeminate and earnest. He doesn't convince as an engineer and doesn't fit the period either. Miranda Otto is strange and not in a good way. She plays her already pretty dumbed down character as a broad and annoying caricature and even more painfully attempts a Southern accent (and badly doesn't describe it, it's one of the all-time worst attempts at an accent to me) that sounds so overdone and so obviously fake with a bored-sounding drawl to match.
Luckily the rest of the cast more than make up for them. David Suchet dominates, playing a loathsome yet still fascinating character to gleeful perfection, a contender for his best non-Poirot performance. Shirley Henderson plays her emotional-roller-coaster-filled character very passionately and movingly, and Matthew MacFadyen is clearly enjoying himself as a cad but brings enough charm to make one believe how easy he is to fall for.
Douglas Hodge gives his very conflicted role a real humanity and Paloma Baeza has a slightly underwritten character but plays her with plenty of fire and intensity. Anne Marie Duff allows one to sympathise with her while also reminding us of how she is no much better than those who have shunned her, while Jim Carter brings much joy in a wonderful performance that has gone under-appreciated. Allan Corduner is spirited though a little more wit wouldn't go amiss and Cheryl Campbell is her usual dependable self.
'The Way We Live Now' looks fantastic, with evocative scenery, interiors, buildings and costumes that are striking on the eyes all captured perfectly by photography that is both atmospheric and luminous. The music score could not have been a better fit and also a fine score on its own, while there are some delicious bits of humour in the script with the satirical elements sharp and gleefully exaggerated at times and leaving enough room for insight. The storytelling is absorbing and compelling throughout the length, everything being easy to follow without being simplistic or over-complicated, and the characters are intriguing and enjoyable if with more meat to them in the source material.
Overall, very good mini-series that had the potential of being even stronger. 8/10 Bethany Cox
Taking this mini-series as an adaptation, it is not hard to see why it would disappoint. It's very condensed and also exaggerated, and it's also not as rich with not quite enough of the topical matters of the time explored in depth. The characters are still interesting (characters driven by greed preparing for a heavy hall which happens) and entertaining and the story fully absorbing with the subplots nicely fleshed out, just that it pales in comparison to the book.
In all honesty however, because of being so heavy and rich in detail and for its length, the book is very difficult to adapt (almost as difficult to adapt as Stephen King, Fyodor Dostoevsky and Leo Tolstoy) and, regardless of how disappointing it is in comparison, the 'The Way We Live Now' mini-series does laudably and is a solid and even very good to great mini-series on its own.
Of course there are things that stop it from living up to its even stronger potential, and forgive me if the flaws that have been covered in previous reviews are repeated (or shall we say somewhat parroted). Those flaws are the ending and two miscasts, while the many strengths far outweigh them they are big and jarring enough to not ignore. The ending is rushed and doesn't feel that well rounded off.
Cillian Murphy has shown considerable talent over the years, but here he's too delicate-looking, too young and rather effeminate and earnest. He doesn't convince as an engineer and doesn't fit the period either. Miranda Otto is strange and not in a good way. She plays her already pretty dumbed down character as a broad and annoying caricature and even more painfully attempts a Southern accent (and badly doesn't describe it, it's one of the all-time worst attempts at an accent to me) that sounds so overdone and so obviously fake with a bored-sounding drawl to match.
Luckily the rest of the cast more than make up for them. David Suchet dominates, playing a loathsome yet still fascinating character to gleeful perfection, a contender for his best non-Poirot performance. Shirley Henderson plays her emotional-roller-coaster-filled character very passionately and movingly, and Matthew MacFadyen is clearly enjoying himself as a cad but brings enough charm to make one believe how easy he is to fall for.
Douglas Hodge gives his very conflicted role a real humanity and Paloma Baeza has a slightly underwritten character but plays her with plenty of fire and intensity. Anne Marie Duff allows one to sympathise with her while also reminding us of how she is no much better than those who have shunned her, while Jim Carter brings much joy in a wonderful performance that has gone under-appreciated. Allan Corduner is spirited though a little more wit wouldn't go amiss and Cheryl Campbell is her usual dependable self.
'The Way We Live Now' looks fantastic, with evocative scenery, interiors, buildings and costumes that are striking on the eyes all captured perfectly by photography that is both atmospheric and luminous. The music score could not have been a better fit and also a fine score on its own, while there are some delicious bits of humour in the script with the satirical elements sharp and gleefully exaggerated at times and leaving enough room for insight. The storytelling is absorbing and compelling throughout the length, everything being easy to follow without being simplistic or over-complicated, and the characters are intriguing and enjoyable if with more meat to them in the source material.
Overall, very good mini-series that had the potential of being even stronger. 8/10 Bethany Cox