A troubled young Count (Franco Nero), living in a crumbling villa with his domineering mother, takes comfort in taxidermy (sound familiar?) until he falls in love with a girl (Erica Blanc) his mother naturally doesn't approve of. The old battle ax tells a servant she treats "like a daughter" that she'd be forever grateful if the girl would make her son's fiancée disappear and not only does the servant kill the son's intended, she offs his mother, too. The Count takes his mom's death hard but not as hard as his fiancee's, whose body he stuffs before he starts strangling strippers. The servant tells him she'll help cover up his crimes if he'll marry her and he agrees but when his dead fiancee's look-alike sister (also Erica Blanc) shows up looking for answers, complications ensue...
To say THE THIRD EYE was inspired by Alfred Hitchcock's PSYCHO would be an understatement but it does go off on a crazy tangent of its own and was obviously capitalizing on a spate of Hammer "mini-Hitchcock" thrillers popular at the time (MANIAC, PARANOIA, HYSTERIA). In black & white with cool-looking red subtitles, the damn thing was never dull, that's for sure. Cult director Joe D'Amato "unofficially" remade this as BEYOND THE DARKNESS in 1979.
To say THE THIRD EYE was inspired by Alfred Hitchcock's PSYCHO would be an understatement but it does go off on a crazy tangent of its own and was obviously capitalizing on a spate of Hammer "mini-Hitchcock" thrillers popular at the time (MANIAC, PARANOIA, HYSTERIA). In black & white with cool-looking red subtitles, the damn thing was never dull, that's for sure. Cult director Joe D'Amato "unofficially" remade this as BEYOND THE DARKNESS in 1979.