Aamir Khan shines in the role of Mahavir Singh Phogat. He is so outstanding in his performance that this could be considered as one of his best works ever. The opening scene of the film is just a glimpse of Phogat's passion for the sport – wrestling. The first half of Dangal works exactly like a skilled wrestler – invariably sure of its moves. The film's second half is all about victory. Mahavir's transformation from the once upset father of a baby girl to the most triumphant one to Geeta's string of losses before she finally wins a gold during Common Wealth Games to desi akhara being replaced by wrestling mat – every moment works in contrast to what you had watched earlier. But not even once does the film loses its focus.
A word here about Mukesh Chhabra's casting: he has done a tremendous job of the casting. Nitesh Tiwari's direction is amazingly terrific. AmitabhBhattacharya's lyrics are great. Pritam's music is in terrific sync with the mood of the drama. 'Dangal dangal' is a very inspiring song and will soon become a rage. 'Dhaakad' and 'Haanikarak' are also very well-tuned. The 'Gilehariyaan' song has terrific charm of a different kind. Amitabh Bhattacharya's lyrics are great. The song writer may pick up some awards for his lyrics. Bosco- Caesar's choreography is very real. Pritam's background music deserves distinction marks. The actors who play the young Geeta and Babita (Zaira Wasim, Suhani Bhatnagar) do a competent job of maintaining the audiences attention. And both Shaikh and Malhotra carry it forward, especially when they spend a lot of the second half on the mat, learning how to lose, and, above all, to win. Since it encapsulates the historic win of the phogats who bought India glory so it is bound to inspire women. Dialogues are absolute gems. Without being overtly long, they are so effective that they invariably touch the heart before reaching the ears. On the whole, Dangal is not just a movie; it is an experience to be cherished. The film is destined to be one of the biggest blockbusters of Indian cinema.As it content oriented so The movie is both for the single screens as well as for the multiplexes and people of all age can watch.so this movie is a must watch. So I Rate it 10 stars out of 10 because I was thinking movie deserves it.I usually don't rate any movie 10 but This movie "HatsOff". Don't Expect a better story than this.Finest piece.Dangal hai yeh.
A word here about Mukesh Chhabra's casting: he has done a tremendous job of the casting. Nitesh Tiwari's direction is amazingly terrific. AmitabhBhattacharya's lyrics are great. Pritam's music is in terrific sync with the mood of the drama. 'Dangal dangal' is a very inspiring song and will soon become a rage. 'Dhaakad' and 'Haanikarak' are also very well-tuned. The 'Gilehariyaan' song has terrific charm of a different kind. Amitabh Bhattacharya's lyrics are great. The song writer may pick up some awards for his lyrics. Bosco- Caesar's choreography is very real. Pritam's background music deserves distinction marks. The actors who play the young Geeta and Babita (Zaira Wasim, Suhani Bhatnagar) do a competent job of maintaining the audiences attention. And both Shaikh and Malhotra carry it forward, especially when they spend a lot of the second half on the mat, learning how to lose, and, above all, to win. Since it encapsulates the historic win of the phogats who bought India glory so it is bound to inspire women. Dialogues are absolute gems. Without being overtly long, they are so effective that they invariably touch the heart before reaching the ears. On the whole, Dangal is not just a movie; it is an experience to be cherished. The film is destined to be one of the biggest blockbusters of Indian cinema.As it content oriented so The movie is both for the single screens as well as for the multiplexes and people of all age can watch.so this movie is a must watch. So I Rate it 10 stars out of 10 because I was thinking movie deserves it.I usually don't rate any movie 10 but This movie "HatsOff". Don't Expect a better story than this.Finest piece.Dangal hai yeh.